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  • 1
    Book
    Book
    New York, NY :Oxford University Press,
    UID:
    almahu_BV047318202
    Format: x, 384 Seiten : , Illustrationen, Notenbeispiele (schwarz-weiß).
    ISBN: 978-0-19-752602-6
    Content: "Motives, the small, recurring shape elements primarily identified by their pitch and rhythm profiles, are near-ubiquitous in music. Yet despite their longstanding prominence in composition and in past and present discourse on music, motives have resisted systematic treatment. The present work, Musical Motives, establishes a methodology for identifying and labelling motives and for assembling viable, meaningful analyses with them. The book opens with a general introduction to motives and a review of their history in Western music. The body of the work prescribes a two-tiered system for working with motives: Basic Motivic Analysis (BMA) concerns monophonic motives composed of pitch and rhythm, while Complex Motivic Analysis (CMA) concerns polyphonic motives that present as a richer network of elements drawn from many domains, including but not limited to pitch, rhythm, counterpoint, harmony, texture, articulation, etc. In support of these methods, the book offers a generous set of tools to advance this analytic subdiscipline. One tool is a universal system of motivic nomenclature proposed to facilitate dialog among analysts. Another is a technique for melodic reduction rooted in principles of salience, that offers analysts the capacity to posit motives that admit flexibility without sacrificing methodologic rigor. Most significant, the work details specific procedures for creating, interpreting, and presenting motivic analyses that range in length from just a few measures to entire pieces. Extensive demonstrations of all points and procedures are given in the form of analyses of selections and full works by composers as diverse as Beethoven, Handel, Chopin, Bach, Mozart, Brahms, Cécile Chaminade, Marvin Hamlisch, Aretha Franklin, Sousa, and Radiohead"--
    Additional Edition: Online version Auerbach, Brent Lawrence Musical motives New York : Oxford University Press, 2020 ISBN 9780197526057
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Motiv ; Musikalische Analyse
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    UID:
    gbv_1760427209
    Format: 1 online resource (400 pages) , illustrations (black and white).
    ISBN: 9780197526057
    Series Statement: Oxford scholarship online
    Content: Author Brent Auerbach look at the ways that motives - or the small-scale pitch and rhythm shapes ever-present in music-tie musical compositions together, and why we remember some more than others.
    Note: Also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 20, 2021)
    Additional Edition: ISBN 9780197526026
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780197526026
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9949068997302882
    Format: 1 online resource (400 pages) : , illustrations (black and white).
    ISBN: 9780197526057 (ebook) :
    Series Statement: Oxford scholarship online
    Content: Author Brent Auerbach look at the ways that motives - or the small-scale pitch and rhythm shapes ever-present in music-tie musical compositions together, and why we remember some more than others.
    Note: Also issued in print: 2021.
    Additional Edition: Print version : ISBN 9780197526026
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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