Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Years
Person/Organisation
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9949455225802882
    Format: 1 online resource.
    ISBN: 9780197526316
    Series Statement: Oxford studies in music theory
    Content: Proposes a new bottom-up conceptualization of the history of the sonata as an aggregation of distinct elements found throughout the eighteenth century.
    Note: Also issued in print: 2022.
    Additional Edition: Print version : ISBN 9780197526286
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    New York, NY :Oxford University Press,
    UID:
    almahu_BV048403958
    Format: x, 249 Seiten : , Illustrationen, Notenbeispiele (schwarz-weiß).
    ISBN: 978-0-19-752628-6
    Series Statement: Oxford studies in music theory
    Content: "Traditional approaches to musical form have always adopted a top-down perspective whereby a work's form organizes and unifies the individual parts of the work through an overarching logic. How Sonata Forms turns this view on its head, proposing instead that it was the parts that conditioned and enabled the whole. Relying on a corpus of over a thousand works, author Yoel Greenberg illustrates how the elements of sonata form arose independently of one another, with an overarching idea of form only emerging at the tail end of its formative period during the eighteenth century. Appreciation of the bottom-up nature of sonata form's evolution reveals it not as a stable package of features that all serve a common aesthetic or formal goal, but rather as an unstable collection of disparate and sometimes even contradictory common practices. The resolution of these contradictions presents a challenge to composers, rendering form as a creative catalyst in itself, rather than as a compositional convenience. More generally, the deeply diachronic perspective of How Sonata Forms offers an alternative to the traditional synchronic outlook that pervades music theory in general and the study of form in particular. Rather than focus on definitions and taxonomies, How Sonata Forms proposes a focus on the motion of the system of form as a whole, suggesting that it is often more productive to appreciate the dynamics of a system than it is to rigorously define its parts"--Dust jacket flap
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Sonatensatzform ; Hochschulschrift ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Oxford : Oxford University Press USA - OSO
    UID:
    gbv_1815237643
    Format: 1 online resource (265 pages) , Illustrationen, Diagramme, Notenbeispiele
    ISBN: 9780197526293
    Series Statement: Oxford Studies in Music Theory Ser.
    Content: How Sonata Forms proposes a new bottom-up conceptualization of the history of the sonata as an aggregation of distinct elements found throughout the eighteenth century.
    Content: Cover -- Series -- How Sonata Forms -- Copyright -- Dedication -- Contents -- Introduction: Musical Form Movement of the Multitude -- 1. The Fuzziness of Form -- Synchronic Fuzziness -- The Replacement Strategy -- The Refinement Strategy -- The Relaxation Strategy -- Diachronic Fuzziness -- In Lieu of a Definition -- 2. Wholes in the Theory -- Between Synchrony and Diachrony -- Synchrony and Diachrony in Musical Form -- The Synchronic Nature of Formenlehre -- On the Incompatibility of the Three Strategies with Diachrony -- Rethinking the Whole -- Holistic Diachrony -- 3. From Selfish Sonatas to Egoistic Elements -- On Reductionism -- An Abstract Model -- Independence -- Summary -- 4. A Periodic Table of Elements -- The Medial Repeat -- Modified Medial Repeats -- The Double Return -- The End Rhyme -- Interim Summary -- Independence of the Elements -- Defining Independence -- Summary -- 5. On Positive Interaction and the Emergence of the Recapitulation -- The Binary Rotation -- The Recapitulatory Rotation -- Trans-​Action -- 6. Rival Repeats: On Negative Interaction and Form in Flux -- Wilhelm Friedemann Bach and the "Condensed Recapitulation" -- Unobtrusive Double Returns -- Carl Philipp Emanuel Bach and the Triple Rotation -- The "Synthesizing Recapitulation" -- The "False Recapitulation" -- Summary -- 7. Converging Forms -- Sonata Forms? -- On Convergence -- Ritornello Form versus the Classical Concerto -- From Texture to Thematicism -- Midway Models, from Quantz and Riepel to Koch and Galeazzi -- Conditions for Convergence -- Expansion of Concerto Form -- Shifting of Agency -- Telltale Differences: The Tutti Medial Repeat -- Summary -- 8. Beyond Sonata Form -- A Bird's-​Eye View -- Fuzzy Transitions -- Appendix 1: The Sample -- Methods for Constructing a Sample -- The Method for Constructing the Sample in this Research -- Annotating the Corpus.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780197526286
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780197526286
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Sonate ; Sonatensatzform
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9780197520086?
Did you mean 9780197516386?
Did you mean 9780197523285?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages