UID:
edocfu_9959245647402883
Format:
1 online resource (xx, 258 pages)
Edition:
1st ed.
ISBN:
1-135-44451-X
,
0-203-01391-3
,
1-280-05991-5
,
1-135-44452-8
Series Statement:
The new library of psychoanalysis
Note:
Bibliographic Level Mode of Issuance: Monograph
,
part, Set and stage --
,
chapter INTRODUCTION /
,
chapter 1 THE INNER AND OUTER WORLDS OF THE FILMMAKER’S TEMPORARY SOCIAL STRUCTURE /
,
chapter 2 One in the Eye from Sam: Samuel Beckett’s Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis /
,
part, Working through trauma --
,
chapter 3 Sons and fathers: a room of their own – Nanni Moretti’s The Son’s Room (2001) /
,
chapter 4 Witness and persecution in two short films: Miguel Sapochnik’s The Dreamer (2001) and Lindy Heymann’s Kissing Buba (2001) JED SEKOFF /
,
chapter 5 A post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer’s Run, Lola, Run (1998) /
,
chapter 6 Thomas Vinterberg’s Festen (1998): an attempt to avoid madness through denunciation /
,
chapter 7 István Szabó’s Sunshine (1999): the cinematic representation of historical and familial trauma /
,
part, Horror perspectives --
,
chapter 8 NOTES ON THE RELEVANCE OF PSYCHOANALYTIC THEORY TO EURO-HORROR CINEMA /
,
chapter 9 Dario Argento’s Phenomena (1985): a psychoanalytic perspective on the ‘horror film’ genre and adolescent development /
,
chapter 10 Freedom through re-introjection: a Kleinian perspective on Dominik Moll’s Harry: He’s Here to Help (2000) /
,
chapter 11 Cinema, horror and the abominations of hell: Carl-Theodor Dreyer’s Vampyr (1931) and Lucio Fulci’s The Beyond (1981) /
,
part, Documenting internal worlds --
,
chapter 12 Narratives and documentaries: an encounter with Michael Apted and his films /
,
chapter 13 THE CINEMATIC DREAM-WORK OF INGMAR BERGMAN’S WILD STRAWBERRIES (1957) /
,
chapter 14 Film as an abreaction of totalitarianism:Vinko Bresˇan’s Marshal Tito’s Spirit (1999) LJILJANA FILIPOVI C´ /
,
chapter 15 Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer’s Fortuna (2000) and Michal Aviad’s Ever Shot Anyone? (1995) /
,
chapter 16 FILMING PSYCHOANALYSIS: FEATURE OR DOCUMENTARY? Two contributions /
,
English
Additional Edition:
ISBN 1-58391-951-1
Additional Edition:
ISBN 1-58391-952-X
Language:
English
DOI:
10.4324/9780203013915
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