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  • 1
    Online Resource
    Online Resource
    London : Routledge
    UID:
    gbv_722513429
    Format: Online-Ressource (222 p.)
    ISBN: 9780415194501
    Content: In his latest book, the author considers current Shakespearian productions in Europe and America, in the light of his insights into Asian theatre, arguing that our understanding of Shakespeare is limited by the kinds of theatre we have seen
    Note: Description based upon print version of record , Preliminaries; CONTENTS; List of Plates; Acknowledgements; Introduction; 1 Open Stages: presence and occasion; 2 Audiences: on stage and off stage; 3 Ritual: action and meaning; 4 Ceremony: behaviour and reception; 5 Performance: imagination and involvement; 6 Improvisation: freedom and collusion; 7 Response: actors and audiences; 8 Settings: actors and stages 121; 9 Criticism: texts and study; 10 Control: directors and companies; 11 Scenography: theatres and design; 12 Actors: training and performance; Forward prospect; Notes; Index;
    Additional Edition: ISBN 9780203030455
    Additional Edition: ISBN 9780415194495
    Additional Edition: Erscheint auch als Druck-Ausgabe New Sites For Shakespeare : Theatre, the Audience, and Asia
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London : Taylor and Francis Group
    UID:
    kobvindex_INT59141
    Format: 1 online resource (222 pages)
    Edition: 1st ed.
    ISBN: 9780203030455
    Content: In the course of exploring the theatrical cultures of South and East Asia, eminent Shakespeareanist John Russell Brown developed some remarkable theories about the nature of performance, the state of Western 'Theatre' today, and the future potential of Shakespeare's plays. In New Sites for Shakespeare he outlines his passionate belief in the power of theatre to reach mass audiences, based on his experiences of popular Asian performances. It is a personal polemic, but it is also a carefully argued and brilliantly persuasive study of the kind of theatrical experience Shakespeare's own contemporaries enjoyed. This is a book which cannot be ignored by anyone who cares about the live performing arts today. Separate chapters consider staging, acting, improvisation, ceremonies and ritual, and an analysis of the experience of the audience is paramount throughout
    Note: Intro -- New Sites For Shakespeare: Theatre, the audience and Asia -- Copyright -- Contents -- List of Plates -- Acknowledgements -- Introduction -- Part I: Visiting -- 1 Open Stages: presence and occasion -- 2 Audiences: on stage and off stage -- 3 Ritual: action and meaning -- 4 Ceremony: behaviour and reception -- 5 Performance: imagination and involvement -- 6 Improvisation: freedom and collusion -- 7 Response: actors and audiences -- 8 Settings: actors and stages -- Part II: Returning -- 9 Criticism: texts and study -- 10 Control: directors and companies -- 11 Scenography: theatres and design -- 12 Actors: training and performance -- Forward prospect -- Notes -- Index
    Additional Edition: Print version Brown, John Russell New Sites for Shakespeare London : Taylor & Francis Group,c1999 ISBN 9780415194495
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    London ; : Routledge,
    UID:
    almafu_9959234304302883
    Format: 1 online resource (222 p.)
    Edition: 1st ed.
    ISBN: 1-134-64872-3 , 1-134-64873-1 , 1-280-33088-0 , 0-203-03045-1 , 0-203-15983-7
    Content: In his latest book, the author considers current Shakespearian productions in Europe and America, in the light of his insights into Asian theatre, arguing that our understanding of Shakespeare is limited by the kinds of theatre we have seen.
    Note: Description based upon print version of record. , Preliminaries; CONTENTS; List of Plates; Acknowledgements; Introduction; 1 Open Stages: presence and occasion; 2 Audiences: on stage and off stage; 3 Ritual: action and meaning; 4 Ceremony: behaviour and reception; 5 Performance: imagination and involvement; 6 Improvisation: freedom and collusion; 7 Response: actors and audiences; 8 Settings: actors and stages 121; 9 Criticism: texts and study; 10 Control: directors and companies; 11 Scenography: theatres and design; 12 Actors: training and performance; Forward prospect; Notes; Index; , English
    Additional Edition: ISBN 0-415-19449-0
    Additional Edition: ISBN 0-415-19450-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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