Format:
1 online resource (385 pages)
Edition:
1st ed.
ISBN:
9780203121832
Content:
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music--the formal, harmonic, rhythmic, and voice-leading organizations--as well as its unique features. The text develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis
Note:
Cover -- Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition -- Copyright -- Contents -- Preface -- PART I: Principles of Harmony and Phrase Design -- 1. A Review of Diatonic Harmony -- Designation of Pitch and Chords -- Tonal Functions -- Common Sequential Patterns -- Passing and Neighboring Chords -- Functions of Individual Chords -- Summary of Concepts and Terminology -- Suggested Assignments -- 2. Expanding the Diatonic Palette -- Secondary Dominants and Diminished Seventh Chords -- Chromaticized Sequences -- Diatonic Modulation -- Modulation from an Initial Major Key -- A Summary Example: Bach, French Suite No. 5, Gavotte -- Modulation from an Initial Minor Key -- A Summary Example: Bach, French Suite No. 2, Menuet -- Suggested Assignments -- 3. Phrase Design -- Phrase Design -- What is a phrase? -- Phrase Construction and Combination-Part 1: The Period -- Phrase Construction and Combination-Part 2: The Sentence -- Phrase Construction and Combination-Part 3: Larger Period Design -- Phrase Elision and Hypermeter -- Phrase Elision -- Hypermeter -- Phrase Expansion -- External Phrase Expansions -- Internal Phrase Expansions -- A Summary Analysis (Haydn) -- Suggested Assignments -- 4. Further Expansion of the Harmonic Palette -- Modal Mixture -- Two Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth -- Analysis (Beethoven) -- Modulation -- Suggested Assignments -- PART II: Analysis -- 5. Binary and Rounded Binary Forms -- Binary Form -- Rounded Binary Form -- Haydn, Symphony No. 101 in D Major ("Clock"), III -- Beethoven, Piano Sonata in A, Major, opus 26, II -- Brahms, Piano Sonata in F Minor, opus 5, III -- Suggested Assignments -- 6. Classical Sonata Form -- Mozart, Piano Sonata in F Major, K. 332, I -- Beethoven, Piano Trio in C Minor, opus 1, numbers 3, I -- Suggested Assignments
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7. Sonata Form in the Nineteenth Century -- Beethoven, Piano Sonata in F Minor, opus 57, I -- Brahms, Clarinet (or Viola) Sonata in F Minor, opus 120, numbers 1, I -- Suggested Assignments -- 8. Ternary Form -- Beethoven, Piano Sonata in D Major, opus 10, numbers 3, II -- Schubert, Impromptu in G Major, opus 90, numbers 3 -- Brahms, Intermezzo in B Minor, opus 117, numbers 2 -- Suggested Assignments -- 9. Rondo Form -- Rondo Form -- Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III -- Minor, opus 108, IV -- Suggested Assignments -- Appendix: Notes on Musical Reductions -- Notes -- Index of Musical Works -- Index of Names and Terms
Additional Edition:
Print version Beach, David Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition Oxford : Taylor & Francis Group,c2012 ISBN 9780415806657
Language:
English
Keywords:
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