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  • 1
    Buch
    Buch
    Chicago ; London :The University of Chicago Press,
    UID:
    almafu_BV047138318
    Umfang: 213 Seiten : , 10 Illustrationen ; , 23 cm.
    ISBN: 978-0-226-70131-8 , 978-0-226-70128-8
    Inhalt: "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic poetry expresses an uncanny insight into both of these transformations, including the human and ecological costs of what we now call a carbon-based economy. But was art really capable of making sense of the emerging crisis-or of changing the future? In a superbly nuanced work of literary criticism, Anahid Nersessian shows that poets began to disqualify themselves from explaining the train of consequences that industry set in motion. Their form of knowledge-if knowledge it be-was of an order different from science or economics, and could not bear the burden of accounting for environmental calamity. Romanticism, Nersessian argues, is of the Anthropocene but not about it, and she cautions against investing its poetry with a straightforwardly testimonial power. In doing so, she models an approach to criticism that reads within what Charles Olson calls "the shapeful," emphasizing the role of rhetorical figures in fashioning the posture a poem takes on a historical question. While focusing on the Romantics, Nersessian also ranges back to the seventeenth century (e.g., the poetry of Andrew Marvell) and forward to examples of contemporary poetry and conceptual art (e.g., Derek Jarman's poetry, and installations by Agnes Denes and Helen Mirra). Within literary studies, this is a widely anticipated book by one of the most brilliant critics of her generation"--
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-226-70145-5
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Anglistik
    RVK:
    RVK:
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    Schlagwort(e): Romantik ; Lyrik ; Englisch ; Rhetorische Figur ; Alltag ; Industrialisierung ; Englisch ; Literatur ; Alltag ; Industrialisierung ; 1770-1850 Wordsworth, William ; 1795-1821 Keats, John ; Criticism, interpretation, etc
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Chicago : The University of Chicago Press
    UID:
    gbv_1737673819
    Umfang: 1 Online-Ressource (213 Seiten) , Illustrationen
    ISBN: 9780226701455
    Inhalt: Frontmatter -- Contents -- Figures -- Introduction -- 1: Parataxis; or, Modern Gardens -- 2: Wordsworth’s Obscurity -- 3: Keats and Catachresis -- 4: Apostrophe: Clouds -- Epilogue -- Acknowledgments -- Notes -- Index
    Inhalt: Romanticism coincided with two major historical developments: the Industrial Revolution, and with it, a turning point in our relationship to the earth, its inhabitants, and its climate. Drawing on Marxism and philosophy of science, The Calamity Form shines new light on Romantic poetry, identifying a number of rhetorical tropes used by writers to underscore their very failure to make sense of our move to industrialization. Anahid Nersessian explores works by Friedrich Hölderlin, William Wordsworth, John Keats, and others to argue that as the human and ecological costs of industry became clear, Romantic poetry adopted formal strategies—among them parataxis, the setting of elements side by side in a manner suggestive of postindustrial dissonance, and apostrophe, here an address to an absent or vanishing natural environment—as it tried and failed to narrate the calamities of capitalism. These tropes reflect how Romantic authors took their bewilderment and turned it into a poetics: a theory of writing, reading, and understanding poetry as an eminently critical act. Throughout, Nersessian pushes back against recent attempts to see literature as a source of information on par with historical or scientific data, arguing instead for an irreducibility of poetic knowledge. Revealing the ways in which these Romantic works are of their time but not about it, The Calamity Form ultimately exposes the nature of poetry’s relationship to capital—and capital’s ability to hide how it works
    Weitere Ausg.: ISBN 9780226701288
    Weitere Ausg.: ISBN 9780226701318
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Nersessian, Anahid, 1982 - The calamity form Chicago : The University of Chicago Press, 2020 ISBN 9780226701318
    Weitere Ausg.: ISBN 9780226701288
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen
    RVK:
    Schlagwort(e): Englisch ; Literatur ; Alltag ; Industrialisierung ; Geschichte 1770-1850
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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