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  • 1
    Buch
    Buch
    Chicago ; London :The University of Chicago Press,
    UID:
    almahu_BV047203710
    Umfang: xi, 114 Seiten ; , 22 cm.
    ISBN: 978-0-226-71599-5 , 0-226-71599-X , 978-0-226-71604-6 , 0-226-71604-X
    Inhalt: "The word "now" in the title of this book by poet-critic James Longenbach does double duty: both as the lyric sense of the present, as well as how American poems over the last century have continued to assert their "now"-ness. Ranging from Modernist greats (Ezra Pound, T. S. Eliot, Marianne Moore) through midcentury poets (George Oppen and Robert Lowell) to Longenbach's contemporaries (Jorie Graham, Carl Phillips, and Sally Keith), he deftly shifts the terms of Modernism allowing us to see, within Modernist innovation, common strategies, psychological predicaments, and aesthetic solutions. He makes a case for the continuity of poetry in this country, as one reviewer puts it, "a vision of lyric poetry that is always seeking 'newer' answers but doesn't concern itself with 'new' answers, or fool itself that what it's doing is utterly original, unique, or personal." "The Lyric Now" is a beautifully written book, and few critics currently writing are, as a reviewer wrote, better at "explaining how poems work, how literary history happens, and why we should care about both" than Longenbach"--
    Anmerkung: Poet of argument -- Home thoughts -- Visions and revisions -- Drawing a frame -- Test of poetry -- Life after death -- Very rich hours -- Potential space -- Moving on -- Disliking it -- The lyric now
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-226-71618-3
    Sprache: Englisch
    Fachgebiete: Amerikanistik
    RVK:
    RVK:
    Schlagwort(e): Lyrik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Chicago : University of Chicago Press
    UID:
    gbv_1785341278
    Umfang: 1 Online-Ressource (XI, 114 Seiten)
    ISBN: 9780226716183
    Inhalt: Frontmatter -- Contents -- Preface -- I · Poet of Argument -- II · Home Thoughts -- III · Visions and Revisions -- IV · Drawing a Frame -- V · A Test of Poetry -- VI · Life after Death -- VII · Very Rich Hours -- VIII · Potential Space -- IX · Moving On -- X · Disliking It -- XI · The Lyric Now -- Acknowledgments -- Bibliography -- Index
    Inhalt: For more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. ​In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics
    Anmerkung: In English
    Sprache: Englisch
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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