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  • 1
    Buch
    Buch
    Chicago :The University of Chicago Press,
    UID:
    almahu_BV047078435
    Umfang: 347 Seiten : , Illustrationen.
    ISBN: 978-0-226-73854-3 , 978-0-226-73840-6
    Serie: Big issues in music
    Inhalt: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Inhalt: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-226-73868-0
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Chicago : University of Chicago Press
    UID:
    gbv_1785341405
    Umfang: 1 Online-Ressource (344 p) , 18 halftones, 5 tables
    Ausgabe: [Online-Ausgabe]
    ISBN: 9780226738680
    Serie: Big Issues in Music
    Inhalt: Frontmatter -- Contents -- 1 Introduction: The Social Study of Musical Performance Institutions -- 2 Conceptualizing Musical Performance Culture -- Clubs in Everyday Urban Life -- 3 The Social Study of Music in Cities -- 4 The Commercial Institutionalization of the Rock Club in New York -- 5 How Did the Rock Club Evolve in Europe? -- Music Festivals in the Summer Season -- 6 A Worldview History of Music Festivals -- 7 The Evolution of Anglophone Global Culture -- 8 Three Industry Evolutions That Changed Festival Culture -- 9 Festival Video and Social Media -- 10 Conclusion -- Acknowledgments -- Notes -- Works Cited -- Index of Names -- Index of Subjects
    Inhalt: Every year, millions of music fans come from far and wide to swarm parks and fields to hear their favorite bands at festivals such as Lollapalooza, Coachella, and Glastonbury. How did these and countless other festivals across the globe evolve into glamorous pop culture events, and how are they changing our relationship to music, leisure, and public culture? In Everyone Loves Live Music, Fabian Holt looks beyond the marketing hype to show how festivals and other institutions of musical performance have evolved in recent decades, as sites that were once meaningful sources of community and culture are increasingly subsumed by corporate giants. Examining a diverse range of cases across Europe and the United States, Holt upends commonly-held ideas of live music and introduces a pioneering theory of performance institutions. He explores the fascinating history of the club and the festival in San Francisco and New York, as well as a number of European cities. This book also explores the social forces shaping live music as small, independent venues become corporatized and as festivals transform to promote mainstream Anglophone culture and its consumerist trappings. Holt introduces a pioneering theory of performance institutions, providing insight into the broader relationship between culture and community in the twenty-first century. An engaging read for fans, industry professionals, and scholars alike, Everyone Loves Live Music reveals how our contemporary enthusiasm for live music is much more fraught than we would like to think
    Anmerkung: Mode of access: Internet via World Wide Web. , In English
    Sprache: Englisch
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    Chicago ; London :The University of Chicago Press,
    UID:
    almahu_BV047310838
    Umfang: 1 Online-Ressource (347 Seiten) : , Illustrationen.
    ISBN: 978-0-226-73868-0
    Serie: Big issues in music
    Inhalt: Introduction. The Social Study of Musical Performance Institutions -- Conceptualizing Musical Performance Culture Clubs in Everyday Urban Life -- The Social Study of Music in Cities -- The Commercial Institutionalization of Rock Clubs in New York -- How Did Institutionalization Evolve in Europe? : Music Festivals in the Summer Season -- A Worldview History of Music Festivals -- The Evolution of Anglophone Global Culture -- Three Industry Evolutions That Changed Festival Culture -- New Media, New Festival Worlds
    Inhalt: "In Everyone Loves Live Music, Fabian Holt takes us through transformations in musical performance culture that explain how live music became the wildly popular industry it is today--and what these changes mean for fans. Holt looks at two realms of live music subject to the same commercializing trends: rock clubs, a feature of everyday life in major American and European cities and blowout musical festivals, venues for over-the-top experiences. As both clubs and festivals are being bought up and managed by a shrinking number of corporate entities such as Live Nation, they are becoming increasingly homogenous, showcasing a narrow roster of mostly Anglophone musicians. While many of the clubs and festivals Holt studies began as highly local scenes, they have fallen prey to media conglomerates, affecting the social worlds not only of fans, but of the cities and neighborhoods that are home to these musical cultures. As a result, Holt shows, our social worlds are transforming as particular forms of music, place, lifestyle, and leisure come to dominate our cultural lives"
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-226-73854-3
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-226-73840-6
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Rockmusik ; Festival ; Konzert ; Live-Auftritt ; Sozialer Wandel
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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