Umfang:
ix, 405 Seiten :
,
Illustrationen, Notenbeispiele.
ISBN:
978-0-226-75801-5
,
978-0-226-75183-2
Inhalt:
"Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--
Anmerkung:
Waves of modernation: the sound of sophrosyne in ancient Greek and neoliberal times / Robin James -- The politics of silence: Heidegger's Black notebooks / Adam Knowles -- Sign, affect, and musicking before the human / Gary Tomlinson -- Human beginnings and music: technology and embodiment roles / Don Ihde -- The life and death of Daniel Barenboim / James Currie -- The philosopher's voice: the prosody of logos / Eduardo Mendieta -- Late capitalism, affect, and the algorithmic self in music streaming platforms / Michael Birenbaum Quintero -- Music, labor, and technologies of desire / Martin Scherzinger -- Musical affect, autobiographical memory, and collective individuation in Thomas Bernhard's Correction / Christopher Haworth -- The "sound" of music: sonic agency and the dialectic of freedom and constraint in jazz improvisation / Lorenzo C. Simpson -- Merleau-Ponty on consciousness and affect through the temporal movement of music / Jessica Wiskus -- A.N. Whitehead, feeling, and music: on some potential modifications to affect theory / Ryan Dohoney -- Delivering affect: Mersenne, voice, and the background of Jesuit rhetorical theory / André de Oliveira Redwood -- Mimesis and the affective ground of Baroque representation / Daniel Villegas Vélez -- Affect and the recording devices of seventeenth-century Italy / Emily Wilbourne -- Immanuel Kant and the downfall of the Affektenlehre / Tomás McAuley
Weitere Ausg.:
Erscheint auch als Online-Ausgabe, ebk. ISBN 978-0-226-75815-2
Sprache:
Englisch
Fachgebiete:
Musikwissenschaft
Schlagwort(e):
Musik
;
Affekt
;
Philosophie
;
Ästhetik
;
Aufsatzsammlung
;
Aufsatzsammlung
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721305&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032721305&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Mehr zum Autor:
Mendieta, Eduardo, 1963-
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