Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
Medientyp
Sprache
Region
Erscheinungszeitraum
Person/Organisation
Fachgebiete(RVK)
Schlagwörter
  • 1
    Buch
    Buch
    Chicago ; London :The University of Chicago Press,
    UID:
    almahu_BV047606925
    Umfang: XIII, 260 Seiten : , Illustrationen, Karte ; , 23 cm.
    ISBN: 978-0-226-81100-0 , 978-0-226-81081-2
    Serie: Chicago studies in ethnomusicology
    Inhalt: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"--
    Anmerkung: Introduction -- Making jazz manouche -- Cultural activism's living legacies -- Generic ontologies and the stakes of refusal -- The sound of feeling -- heritage stories -- Conclusion
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-226-81095-9
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Gypsy-Jazz ; Musikethnologie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Chicago :University of Chicago Press,
    UID:
    almahu_9949297077002882
    Umfang: 1 online resource (256 p.) : , 4 halftones
    ISBN: 9780226810959 , 9783110754001
    Serie: Chicago Studies in Ethnomusicology
    Inhalt: Django Generations shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche-a genre known best for its energetic, guitar-centric swing tunes-is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as "Gypsies") to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In this book, Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice.
    Anmerkung: Frontmatter -- , Contents -- , Notes on Terminology -- , List of Figures -- , Companion Website -- , Introduction -- , 1 Making Jazz Manouche -- , 2 Cultural Activism's Living Legacies -- , 3 Generic Ontologies and the Stakes of Refusal -- , 4 The Sound of Feeling -- , 5 Heritage Stories -- , Conclusion -- , Acknowledgments -- , Appendix 1: Glossary -- , Appendix 2: List of Formal Interviews -- , Notes -- , References -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2021 English, De Gruyter, 9783110754001
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021 English, De Gruyter, 9783110754124
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021, De Gruyter, 9783110753899
    In: University of Chicago Complete eBook-Package 2021, De Gruyter, 9783110739190
    Sprache: Englisch
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Meinten Sie 9780226815459?
Meinten Sie 9780226819594?
Meinten Sie 9780226010359?
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie auf den KOBV Seiten zum Datenschutz