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  • 1
    Book
    Book
    New York, NY :Columbia Univ. Press,
    UID:
    almafu_BV019577275
    Format: XXVII, 239 S. : , Ill.
    ISBN: 0-231-07899-4 , 0-231-07898-6 , 978-0-231-07899-3 , 978-0-231-07898-6
    Uniform Title: Audio-vision
    Note: Literaturverz. S. 225 - 228. - Aus dem Franz. übers.
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Musik ; Film ; Kino ; Film ; Ton ; Ton ; Bild ; Film ; Tonfilm ; Filmmusik
    Author information: Chion, Michel 1947-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York [u.a.] : Columbia University Press
    UID:
    gbv_185969399
    Format: XXVII, 239 S. , Ill., graph. Darst.
    ISBN: 0231078986 , 0231078994
    Uniform Title: L'audio-vision 〈engl.〉
    Note: Includes bibliographical references p. ([225]-227) and index , Covergestaltung: Jacket illustration: "Eraserhead" by David Lynch, 1976. Jacket design: John Costa
    Language: English
    Subjects: Musicology , General works
    RVK:
    RVK:
    Keywords: Film ; Ton ; Film ; Musik ; Audiovisuelle Medien ; Ton ; Film ; Ton ; Filmmusik
    Author information: Chion, Michel 1947-
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  • 3
    Book
    Book
    New York, NY, USA : Columbia University Press
    UID:
    kobvindex_INT0001273
    Format: xxvii, 239 pages , illustrations , 21 x 14 cm
    ISBN: 9780231078986 , 9780231078993 , 0231078986 , 0231078994
    Uniform Title: Audio-vision
    Content: "In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television. He considers the effects of such evolving technologies as widescreen, multitrack, and Dolby; the influences of sound on the perception of space and time; and the impact of such contemporary forms of audio-vision as music videos, video art, and commercial television. Chion concludes with an original and useful model for the audiovisual analysis of film."
    Note: Foreword -- Preface -- THE AUDIOVISUAL CONTRACT : Projections of sound on image ; The three listening modes ; Lines and points: horizontal and vertical perspectives on audiovisual relations ; The audiovisual scene ; The real and the rendered ; Phantom audio-vision -- BEYOND SOUNDS AND IMAGES : Sound film--worthy of the name ; Television, video art, music video ; Toward an audiologovisual poetics ; Introduction to audiovisual analysis -- Notes -- Glossary -- Bibliography -- Index , LANGUAGE NOTE: translation from the French language edition: Audio-vision
    Language: English
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