Kooperativer Bibliotheksverbund

UID:

Format: 255 Seiten , Illustrationen

ISBN: 9780231178167 , 9780231178174

Series Statement: Film and culture

Uniform Title: Re-envisioning reform : film, new media, and politics in post-Khomeini Iran

Note: Literatur- und Filmverzeichnis Seite [229]-244 , Dissertation University of Texas at Austin 2011

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-231-54314-9

Language: English

Keywords: Iran ; Film ; Geschichte 1965-2005 ; Iran ; Ḫātamī, Muḥammad 1942- ; Film ; Geschichte 1989-2005 ; Iran ; Politischer Wandel ; Film ; Geschichte 1990-2005 ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029345285&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource : , illustrations (black and white).

ISBN: 9780231543149 (ebook) :

Series Statement: Film and culture

Content: It's nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In 'Reform Cinema in Iran', Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007.

Note: Previously issued in print: 2016.

Additional Edition: Print version : ISBN 9780231178174

Language: English

URL: Columbia scholarship online

UID:

Format: 1 online resource (274 p.)

ISBN: 0-231-54314-X

Series Statement: Film and Culture Series

Content: It is nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new i

Note: Description based upon print version of record. , Frontmatter -- , CONTENTS -- , A Note on Transliteration -- , Acknowledgments -- , Introduction: Revolutionary Cinema and the Logic of Reform -- , 1. When Love Entered Cinema: Mysticism and the Emerging Poetics of Reform -- , 2. Screening Reform: Campaign Movies, Documentaries, and Urban Tehran -- , 3. Video Democracies: Or, The Death of the Filmmaker -- , 4. Who Killed the Tough Guy? Continuity and Rupture in the Filmfārsi Tradition -- , 5. Film Archives and Online Videos: The Search for Reform in Post-Khatami Iran -- , Conclusion: Iran's Cinema Museum and Political Unrest -- , Notes -- , Bibliography -- , Filmography -- , Index , Issued also in print. , English

Additional Edition: ISBN 0-231-17816-6

Additional Edition: ISBN 0-231-17817-4

Language: English

DOI: 10.7312/atwo17816