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  • 1
    Book
    Book
    New York ; Chichester :Columbia University Press,
    UID:
    almafu_BV048360281
    Format: xiii, 224 Seiten : , Illustrationen ; , 25 cm.
    ISBN: 978-0-231-20577-1 , 978-0-231-20576-4
    Series Statement: Film and culture
    Content: "What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society's fear of the "others" that threaten the "normal." The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film's depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across "normal" self and "monstrous" other. This "transformative otherness" confronts viewers with the other's experience-and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror's significance for culture, politics, and art"--
    Note: Introduction. Situating horror and otherness : tree of life, Night of the living dead, Pittsburgh -- A reintroduction to the American horror film : revisiting Robin Wood and 1970s horror -- The surrealism of horror's otherness : listening to The shout -- Nightmare zone : aging as otherness in the cinema of Tobe Hooper -- The trauma of economic otherness : horror in George A. Romero's Martin -- Therapeutic disintegration : Jewish otherness in the cinema of David Cronenberg -- Gendered otherness : feminine horror and surrealism in Marina de Van, Stephanie Rothman, and Jennifer Kent -- Racial otherness : horror's Black/Jewish minority vocabulary, from Jordan Peele to Ira Levin and Curt Siodmak -- Afterword. Horror and otherness in anguished times
    Additional Edition: Erscheint auch als Online-Ausgabe Lowenstein, Adam Horror film and otherness New York : Columbia University Press, [2022] ISBN 978-0-231-55615-6
    Language: English
    Subjects: General works
    RVK:
    Keywords: Criticism, interpretation, etc
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    gbv_1813288518
    Format: (1 Online-Ressource 215 Seiten) , Illustrationen
    ISBN: 9780231556156
    Series Statement: Film and Culture Series
    Content: What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art
    Note: Frontmatter , CONTENTS , ILLUSTRATIONS , ACKNOWLEDGMENTS , INTRODUCTION: SITUATING HORROR AND OTHERNESS , PART I. TRANSFORMING HORROR AND OTHERNESS , CHAPTER 1. A REINTRODUCTION TO THE AMERICAN HORROR FILM , CHAPTER 2. THE SURREALISM OF HORROR’S OTHERNESS , PART II. TRANSFORMING THE MASTERS OF HORROR , CHAPTER 3. NIGHTMARE ZONE , CHAPTER 4. THE TRAUMA OF ECONOMIC OTHERNESS , CHAPTER 5. THERAPEUTIC DISINTEGRATION , PART III. TRANSFORMING HORROR’S OTHER VOICES , CHAPTER 6. GENDERED OTHERNESS , CHAPTER 7. RACIAL OTHERNESS , AFTERWORD , NOTES , BIBLIOGRAPHY , INDEX , FILM AND CULTURE , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe Lowenstein, Adam Horror film and otherness New York : Columbia University Press, 2022 ISBN 9780231205771
    Additional Edition: ISBN 9780231205764
    Language: English
    Subjects: General works
    RVK:
    Keywords: Horrorfilm
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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