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  • 1
    Online-Ressource
    Online-Ressource
    New York : Columbia University Press
    UID:
    gbv_189313038X
    Umfang: 1 Online-Ressource (273 Seiten)
    ISBN: 9780231560825
    Inhalt: This groundbreaking book is an incisive and comprehensive analysis of Harun Farocki's oeuvre, shedding new light on his media experimentation and writings across platforms and venues.
    Inhalt: Intro -- Table of Contents -- Acknowledgments -- Introduction -- 1. Critique and Montage -- 2. Labor -- 3. Critic as Filmmaker -- 4. War -- 5. An Image Lexicon, or Towards a Media Archeology -- Notes -- Writings by Harun Farocki -- Filmography -- Installations by Harun Farocki -- Critical Bibliography -- Index.
    Inhalt: "At the time of his death in 2014, Harun Farocki was one of the most celebrated global contemporary experimental filmmakers. His films were and are exhibited throughout the world including a major retrospective of his work at MoMA in 2011. However, his status as an "art star" came relatively late. For much of his career, he worked in the margins of the culture industry, making independent films and commissions for television. Taken as a whole, Farocki's creative activity represents an enormous output comprising more than one hundred works of varying length, format, and media. He began by making politically engaged films in Super 8 and 16 mm, often with members of the Red Army Faction. This initial period was followed by his work for German television and independent film productions that investigated image creation and subjects of labor. Finally, in the last phase of his career, Farocki recalibrated his film practice to create art installations, working in digital and multi-channel formats, and finding a global audience. What remained constant in Farocki's work was a rigorous investigation of images, their political possibilities, and how they are often manipulated by those in power. He sought to understand how the media world he lived in functioned and viewed his films as a critique and serving a pedagogical function addressing a range of viewers. Farocki's career is also a lens to understand avant-garde and experimental filmmaking over the past half a century as materials shift from celluloid to video, and finally digital; as exhibition platforms migrate from theatres to televisions, to galleries, and finally the internet"--
    Anmerkung: Description based on publisher supplied metadata and other sources
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Alter, Nora M., 1962 - Harun Farocki New York : Columbia University Press, 2024 ISBN 9780231215503
    Weitere Ausg.: ISBN 9780231215497
    Sprache: Englisch
    Schlagwort(e): Farocki, Harun 1944-2014 ; Film ; Video-Installation ; Geschichte 1966-2014
    Mehr zum Autor: Alter, Nora M. 1962-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Bild
    Bild
    New York : Columbia University Press
    UID:
    gbv_188065668X
    Umfang: xiv, 258 Seiten , Illustrationen , 24 cm
    ISBN: 9780231215503 , 9780231215497
    Inhalt: "At the time of his death in 2014, Harun Farocki was one of the most celebrated global contemporary experimental filmmakers. His films were and are exhibited throughout the world including a major retrospective of his work at MoMA in 2011. However, his status as an "art star" came relatively late. For much of his career, he worked in the margins of the culture industry, making independent films and commissions for television. Taken as a whole, Farocki's creative activity represents an enormous output comprising more than one hundred works of varying length, format, and media. He began by making politically engaged films in Super 8 and 16 mm, often with members of the Red Army Faction. This initial period was followed by his work for German television and independent film productions that investigated image creation and subjects of labor. Finally, in the last phase of his career, Farocki recalibrated his film practice to create art installations, working in digital and multi-channel formats, and finding a global audience. What remained constant in Farocki's work was a rigorous investigation of images, their political possibilities, and how they are often manipulated by those in power. He sought to understand how the media world he lived in functioned and viewed his films as a critique and serving a pedagogical function addressing a range of viewers. Farocki's career is also a lens to understand avant-garde and experimental filmmaking over the past half a century as materials shift from celluloid to video, and finally digital; as exhibition platforms migrate from theatres to televisions, to galleries, and finally the internet"--
    Anmerkung: Includes bibliographical references, filmography, and index , Introduction : Farocki through time -- Critique and montage -- Labor -- Critic as filmmaker -- War -- An image lexicon, or towards a media archeology.
    Weitere Ausg.: ISBN 9780231560825
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Alter, Nora M., 1962- Harun Farocki New York : Columbia University Press, [2024] ISBN 9780231560825
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Alter, Nora M., 1962 - Harun Farocki New York : Columbia University Press, 2024 ISBN 9780231560825
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Alter, Nora M., 1962 - Harun Farocki New York : Columbia University Press, 2024 ISBN 9780231560825
    Sprache: Englisch
    Schlagwort(e): Farocki, Harun 1944-2014 ; Film ; Video-Installation ; Geschichte 1966-2014
    Mehr zum Autor: Alter, Nora M. 1962-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    New York : Columbia University Press
    UID:
    b3kat_BV049820021
    Umfang: xiv, 258 Seiten , Illustrationen
    ISBN: 9780231215497 , 9780231215503
    Inhalt: "At the time of his death in 2014, Harun Farocki was one of the most celebrated global contemporary experimental filmmakers. His films were and are exhibited throughout the world including a major retrospective of his work at MoMA in 2011. However, his status as an "art star" came relatively late. For much of his career, he worked in the margins of the culture industry, making independent films and commissions for television. Taken as a whole, Farocki's creative activity represents an enormous output comprising more than one hundred works of varying length, format, and media. He began by making politically engaged films in Super 8 and 16 mm, often with members of the Red Army Faction. This initial period was followed by his work for German television and independent film productions that investigated image creation and subjects of labor. Finally, in the last phase of his career, Farocki recalibrated his film practice to create art installations, working in digital and multi-channel formats, and finding a global audience. What remained constant in Farocki's work was a rigorous investigation of images, their political possibilities, and how they are often manipulated by those in power. He sought to understand how the media world he lived in functioned and viewed his films as a critique and serving a pedagogical function addressing a range of viewers. Farocki's career is also a lens to understand avant-garde and experimental filmmaking over the past half a century as materials shift from celluloid to video, and finally digital; as exhibition platforms migrate from theatres to televisions, to galleries, and finally the internet"--
    Anmerkung: Introduction : Farocki through time -- Critique and montage -- Labor -- Critic as filmmaker -- War -- An image lexicon, or towards a media archeology
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-231-56082-5
    Sprache: Englisch
    Schlagwort(e): Farocki, Harun 1944-2014 ; Film
    Mehr zum Autor: Alter, Nora M. 1962-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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