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  • 1
    Buch
    Buch
    New York, NY [u.a.] : Columbia Univ. Press
    UID:
    gbv_665675771
    Umfang: XI, 271 S. , Ill. , 24 cm
    ISBN: 0231157487 , 0231500718 , 9780231500715 , 9780231157483
    Inhalt: Introduction -- Visuality and the colonial modern: the technics of proletarian culture, nativism, modernism, and mobilization -- Visible and invisible states: liberation, occupation, division -- Ambivalent anticommunism: the politics of despair and the erotics of language -- Development as devolution: overcoming Communism and the "land of excrement" incident -- Return to the colonial present: translation, collaboration, Pan-Asianism -- Postscript
    Anmerkung: Formerly CIP Uk. - Includes bibliographical references and index , Introduction -- Visuality and the colonial modern: the technics of proletarian culture, nativism, modernism, and mobilization -- Visible and invisible states: liberation, occupation, division -- Ambivalent anticommunism: the politics of despair and the erotics of language -- Development as devolution: overcoming Communism and the "land of excrement" incident -- Return to the colonial present: translation, collaboration, Pan-Asianism -- Postscript.
    Weitere Ausg.: ISBN 9780231500715
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Film ; Literatur ; Südkorea ; Südkorea ; Literatur ; Film ; Ost-West-Konflikt
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    New York, NY :Columbia University Press,
    UID:
    almafu_9958351815102883
    Umfang: 1 online resource : , 19 illustrations
    ISBN: 9780231500715
    Inhalt: Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910–1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.
    Anmerkung: Frontmatter -- , Contents -- , LIST OF ILLUSTRATIONS -- , ACKNOWLEDGMENTS -- , Introduction -- , 1. Visuality and the Colonial Modern: The Technics of Proletarian Culture, Nativism, Modernism, and Mobilization -- , 2. Visible and Invisible States: Liberation, Occupation, Division -- , 3. Ambivalent Anticommunism: The Politics of Despair and the Erotics of Language -- , 4. Development as Devolution: Overcoming Communism and the “Land of Excrement” Incident -- , 5. Return to the Colonial Present: Translation, Collaboration, Pan-Asianism -- , Postscript -- , Notes -- , Selected Bibliography -- , Index , In English.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    New York :Columbia Univ. Press,
    UID:
    almafu_BV040159450
    Umfang: XI, 271 S. : , Ill.
    ISBN: 978-0-231-15748-3 , 978-0-231-50071-5
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Besetzung ; Film ; Literatur ; Film ; Literatur ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York :Columbia University Press,
    UID:
    almafu_9960177750602883
    Umfang: 1 online resource (287 p.)
    ISBN: 1-281-91971-3 , 9786613792686 , 0-231-50071-8
    Inhalt: Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910-1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.
    Anmerkung: Description based upon print version of record. , Introduction -- Visuality and the colonial modern: the technics of proletarian culture, nativism, modernism, and mobilization -- Visible and invisible states: liberation, occupation, division -- Ambivalent anticommunism: the politics of despair and the erotics of language -- Development as devolution: overcoming Communism and the "land of excrement" incident -- Return to the colonial present: translation, collaboration, Pan-Asianism -- Postscript. , Issued also in print. , English
    Weitere Ausg.: ISBN 0-231-15749-5
    Weitere Ausg.: ISBN 0-231-15748-7
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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