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Electric Sounds : Technological Change and the Rise of Corporate Mass Media (2007)

Wurtzler, Steven James [Verfasser]

New York, NY : Columbia University Press

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Details

UID:

b3kat_BV043491401

Umfang: 1 online resource , 15 photographs

ISBN: 9780231510080

Serie: Film and Culture Series

Anmerkung: Description based on online resource; title from PDF title page (publisher’s Web site, viewed Nov. 24, 2015) , 〈〈The〉〉 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats.The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms

Sprache: Englisch

Schlagwort(e): USA ; Tonfilm ; Gesellschaft ; Geschichte 1920-1940 ; USA ; Hörfunk ; Gesellschaft ; Geschichte 1920-1940

DOI: 10.7312/wurt13676

URL: Volltext (URL des Erstveröffentlichers)

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Filmuniversität Babelsberg

Online-Ressource

Electric Sounds : Technological Change and the Rise of Corporate Mass Media (2007)

Wurtzler, Steve.

New York, NY :Columbia University Press,

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Details

UID:

almafu_9958351796302883

Umfang: 1 online resource : , 15 photographs

ISBN: 9780231510080

Serie: Film and Culture Series

Inhalt: The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework, and the birth of a new acoustic commodity in which consumers accessed stories, songs, and other products through multiple media formats.The innovations of this period not only restructured and consolidated corporate mass media interests while shifting the conventions of media consumption. They renegotiated the social functions assigned to mass media forms. In this impeccably researched history, Steve J. Wurtzler grasps the full story of sounds media, proving that the ultimate form technology takes is never predetermined but shaped by conflicting visions of technological possibility in economic, cultural, and political realms.

Anmerkung: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. Technological Innovation and the Consolidation of Corporate Power -- , 2. Announcing Technological Change -- , 3. From Performing the Recorded to Dissimulating the Machine -- , 4. Making Sound Media Meaningful Commerce, Culture, Politics -- , 5. Transcription Versus Signification Competing: Paradigms for Representing with Sound -- , Conclusions/Reverberations -- , Notes -- , Index -- , Backmatter

Sprache: Englisch

DOI: 10.7312/wurt13676

URL: https://doi.org/10.7312/wurt13676

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FU Berlin

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Electric sounds : technological change and the rise of corporate mass media (2010)

Wurtzler, Steve J.

New York : Columbia University Press

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Details

UID:

gbv_1003579035

Umfang: 1 Online-Ressource (xi, 393 pages) , illustrations

Ausgabe: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction

ISBN: 023151008X , 0231136765 , 9780231510080 , 9780231136761

Serie: Film and culture series

Inhalt: Focuses on the innovations in the electronic production and transmission of sound in the 1920s and '30s and their explosive impact on the American mass media, especially the radio, the phonograph, and the cinema

Inhalt: Technological innovation and the consolidation of corporate power -- Announcing technological change -- From performing the recorded to dissimulating the machine -- Making sound media meaningful: commerce, culture, politics -- Transcription versus signification: competing paradigms for representing with sound -- Conclusions/Reverberations

Anmerkung: Includes bibliographical references (pages 291-366) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Weitere Ausg.: ISBN 0231136765

Weitere Ausg.: ISBN 9780231136761

Sprache: Englisch

URL: Volltext

URL: Volltext (lizenzpflichtig)

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