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  • 1
    Online Resource
    Online Resource
    New York :Columbia University Press,
    UID:
    almahu_9948317464602882
    Format: x, 292 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York :Columbia University Press,
    UID:
    almafu_9959233942702883
    Format: 1 online resource (305 p.)
    ISBN: 9780231526463 , 0231526466
    Content: Aldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T. S. Eliot, Gertrude Stein, D. H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss.In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic play of Joyce, Lawrence, Stein, Rhys, and others. She considers pop cultural phenomena and the rise of celebrities such as Rudolph Valentino and Gypsy Rose Lee against contemporary sociological, scientific, and philosophical writings on leisure and desire. Throughout her study, Frost incorporates recent scholarship on material and visual culture and vernacular modernism, recasting the period's high/low, elite/popular divides and formal strategies as efforts to regulate sensual and cerebral experience. Capturing the challenging tensions between these artists' commitment to innovation and the stimulating amusements they denounced yet deployed in their writing, Frost calls attention to the central role of pleasure in shaping interwar culture.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Introduction: The Repudiation of Pleasure -- , 1 James Joyce and the Scent of Modernity -- , 2 Stein's Tickle -- , 3 Orgasmic Discipline -- , 4 Huxley's Feelies -- , 5 The Impasse of Pleasure -- , 6 Blondes Have More Fun -- , Coda -- , Notes -- , Index , Issued also in print. , English
    Additional Edition: ISBN 9780231152730
    Additional Edition: ISBN 0231152736
    Additional Edition: ISBN 9780231152723
    Additional Edition: ISBN 0231152728
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    gbv_1003737072
    Format: 1 Online-Ressource (292 pages)
    Edition: Online-Ausg.
    ISBN: 0231152728 , 0231526466 , 1306313864 , 9780231152723 , 9780231526463 , 9781306313865
    Series Statement: NONE
    Content: "Aldous Huxley decried 'the horrors of modern "pleasure, "' or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T.S. Eliot, Gertrude Stein, D.H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss. In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic play of Joyce, Lawrence, Stein, Rhys, and others. She considers pop cultural phenomena and the rise of celebrities such as Rudolph Valentino and Gypsy Rose Lee against contemporary sociological, scientific, and philosophical writings on leisure and desire. Throughout her study, Frost incorporates recent scholarship on material and visual culture and vernacular modernism, recasting the period's high/low, elite/popular divides and formal strategies as efforts to regulate sensual and cerebral experience. Capturing the challenging tensions between these artists' commitment to innovation and the stimulating amusements they denounced yet deployed in their writing, Frost calls attention to the central role of pleasure in shaping interwar culture"--Provided by publisher
    Content: Introduction: The repudiation of pleasure -- James Joyce and the scent of modernity -- Stein's tickle -- Orgasmi discipline: D.H. Lawrence, E.M. Hull, and interwar erotic fiction -- Huxley's feelies: engineered pleasure in Brave new world -- The impasse of pleasure: Patrick Hamilton and Jean Rhys -- Blondes have more fun: Anita Loos and the language of silent cinema -- Coda: Modernism's afterlife in the age of prosthetic pleasure
    Note: Includes bibliographical references and index , In English
    Additional Edition: ISBN 9780231152723
    Additional Edition: ISBN 0231152728
    Additional Edition: Erscheint auch als Druck-Ausgabe
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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