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  • 1
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9958351973202883
    Format: 1 online resource : , ‹B›Color Photos: ‹/B›17
    ISBN: 9780231526975
    Content: Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions.This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.
    Note: Frontmatter -- , Contents -- , Screening Torture -- , Part I: Torture and the Implications of Masculinity -- , 1. Countering the Jack Bauer Effect -- , 2. Mel Gibson’s Tortured Heroes -- , 3. It’s a Perfect World -- , Part II: Torture and the Sadomasochistic Impulse -- , 4. Lust, Caution -- , 5. The Art of Photogenic Torture -- , 6. Beyond Susan Sontag -- , 7. Stanley Kubrick’s A Clockwork Orange as Art Against Torture -- , Part III: Confronting the Legacies of Torture and State Terror -- , 8. “Accorded a Place in the Design” -- , 9. Confessing Without Regret -- , PART IV: Torture and the Shortcomings of Film -- , 10. Movies of Modern Torture as Convenient Truths -- , 11. Torture at the Limit of Politics -- , 12. Doing Torture in Film -- , 13. Documenting the Documentaries on Abu Ghraib -- , Contributors -- , Index , In English.
    Language: English
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  • 2
    UID:
    almahu_9947545808802882
    Format: 1 online resource : , illustrations (black and white)
    ISBN: 9780231526975 (ebook) :
    Content: Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual and the viewer was more likely to identify with the victim rather than the torturer. Since the attacks of September 11, 2001 scenes of brutalitiy and torture in mainstream films appear for little other reason than to titillate and delight. This volume follows the shift in the representation of torture over the past decade.
    Additional Edition: Print version : ISBN 9780231153591
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    kobvindex_INT59330
    Format: 1 online resource (327 pages)
    Edition: 1st ed.
    ISBN: 9780231526975
    Content: Since the terrorist attacks of September 11, 2001, scenes of brutality and torture have appeared in mainstream comedies, dramatic narratives, and action films, for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities. It is represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. Before 9/11, films outside of the horror/slasher genre that addressed torture depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and often depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. This volume follows the significant shift in the representation of torture over the past decade, specifically in documentary, action, and political films, and it compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, this collection addresses the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination
    Note: Intro -- Contents -- Screening Torture: An Introduction, Michael Flynn and Fabiola F. Salek -- PART I Torture and the Implications of Masculinity -- 1. Countering the Jack Bauer Effect: An Examination of How to Limit the Influence Of TV's Most Popular, and Most Brutal , Hero, David Danzig -- 2. Mel Gibson's Tortured Heroes: From the Symbolic Function of Blood To Spectacles of Pain, Lee Quinby -- 3. It's a Perfect World: Torture, Confession, and Sacrifice, Michael Flynn and Fabiola F. Salek -- PART II Torture and the Sadomasochistic Impulse -- 4. Lust, Caution: Torture, Sex, and Passion In Chinese Cinema, Chris Berry -- 5. The Art of Photogenic Torture, Phil Carney -- 6. Beyond Susan Sontag: The Seduction of Psychological Torture, Alfred W. McCoy -- 7. Stanley Kubrick's A Clockwork Orange As Art Against Torture, Carolyn Strange -- Part III Confronting the Legacies of Torture and State Terror -- 8. "Accorded a Place in the Design": Torture in Postapartheid Cinema, Elizabeth Swanson Goldberg -- 9. Confessing Without Regret: An Israeli Film Genre, Livia Alexander -- PART IV Torture and the Shortcomings of Film -- 10. Movies of Modern Torture as Convenient Truths, Darius Rejali -- 11. Torture at the Limit of Politics, Faisal Devj -- 12. Doing Torture in Film: Confronting Ambiguity and Ambivalence, Marnia Lazreg -- 13. Documenting the Documentaries on Abu Ghraib: Facts Versus Distortion, Stjepan G. Mestrovic -- Contributors -- Index
    Additional Edition: Print version Flynn, Michael Screening Torture New York : Columbia University Press,c2012 ISBN 9780231153591
    Language: English
    Keywords: Electronic books
    URL: FULL  ((OIS Credentials Required))
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  • 4
    UID:
    kobvindex_INTEBC997379
    Format: 1 online resource (327 pages)
    Edition: 1st ed.
    ISBN: 9780231526975
    Content: Since the terrorist attacks of September 11, 2001, scenes of brutality and torture have appeared in mainstream comedies, dramatic narratives, and action films, for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities. It is represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. Before 9/11, films outside of the horror/slasher genre that addressed torture depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and often depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. This volume follows the significant shift in the representation of torture over the past decade, specifically in documentary, action, and political films, and it compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, this collection addresses the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination
    Note: Intro -- Contents -- Screening Torture: An Introduction, Michael Flynn and Fabiola F. Salek -- PART I Torture and the Implications of Masculinity -- 1. Countering the Jack Bauer Effect: An Examination of How to Limit the Influence Of TV's Most Popular, and Most Brutal , Hero, David Danzig -- 2. Mel Gibson's Tortured Heroes: From the Symbolic Function of Blood To Spectacles of Pain, Lee Quinby -- 3. It's a Perfect World: Torture, Confession, and Sacrifice, Michael Flynn and Fabiola F. Salek -- PART II Torture and the Sadomasochistic Impulse -- 4. Lust, Caution: Torture, Sex, and Passion In Chinese Cinema, Chris Berry -- 5. The Art of Photogenic Torture, Phil Carney -- 6. Beyond Susan Sontag: The Seduction of Psychological Torture, Alfred W. McCoy -- 7. Stanley Kubrick's A Clockwork Orange As Art Against Torture, Carolyn Strange -- Part III Confronting the Legacies of Torture and State Terror -- 8. "Accorded a Place in the Design": Torture in Postapartheid Cinema, Elizabeth Swanson Goldberg -- 9. Confessing Without Regret: An Israeli Film Genre, Livia Alexander -- PART IV Torture and the Shortcomings of Film -- 10. Movies of Modern Torture as Convenient Truths, Darius Rejali -- 11. Torture at the Limit of Politics, Faisal Devj -- 12. Doing Torture in Film: Confronting Ambiguity and Ambivalence, Marnia Lazreg -- 13. Documenting the Documentaries on Abu Ghraib: Facts Versus Distortion, Stjepan G. Mestrovic -- Contributors -- Index
    Additional Edition: Print version Flynn, Michael Screening Torture New York : Columbia University Press,c2012 ISBN 9780231153591
    Language: English
    Keywords: Electronic books
    URL: FULL  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    New York [u.a.] :Columbia Univ. Press,
    UID:
    almafu_BV040481661
    Format: VIII, 315 S. : , Ill.
    ISBN: 978-0-231-15358-4 , 978-0-231-15359-1
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-231-52697-5
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Dokumentarfilm ; Fernsehsendung ; Folter ; Aufsatzsammlung
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