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  • 1
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9958998834702883
    Format: 1 online resource
    ISBN: 9780231540162
    Series Statement: Columbia Themes in Philosophy, Social Criticism, and the Arts
    Content: The Italian philosopher Maurizio Lazzarato has earned international acclaim for his analysis of contemporary capitalism, in particular his influential concept of immaterial labor and his perceptive writings on debt. In Videophilosophy, he reveals the underpinnings of contemporary subjectivity in the aesthetics and politics of mass media. First written in French and published in Italian and later revised but never published in full, this book discloses the conceptual groundwork of Lazzarato's thought as a whole for a time when his writings have become increasingly influential.Drawing on Bergson, Nietzsche, Benjamin, Deleuze and Guattari, and the film theory and practice of Dziga Vertov, Lazzarato constructs a new philosophy of media that ties political economy to the politics of aesthetics. Through his concept of "machines that crystallize time," he argues that the proliferation of digital technologies over the past half-century marks the transition to a new mode of capitalist production characterized by unprecedented forms of subjection. This new era of the commodification of the self, Lazzarato declares, demands novel types of political action that challenge the commercialization and exploitation of time. This crucial text by an essential contemporary thinker offers vital new perspectives on aesthetics, politics, and media and critical theory.
    Note: Frontmatter -- , CONTENTS -- , LAZZARATO'S POLITICAL ONTO- AESTHETICS / , INTRODUCTION -- , 1. THE WAR MACHINE OF THE KINO- EYE AND THE KINOKI AGAINST THE SPECTACLE -- , 2. BERGSON AND MACHINES THAT CRYSTALLIZE TIME -- , 3. VIDEO, FLOWS, AND REAL TIME -- , 4. BERGSON AND SYNTHETIC IMAGES -- , 5. NIETZSCHE AND TECHNOLOGIES OF SIMULATION -- , 6. THE ECONOMY OF AFFECTIVE FORCES -- , 7. THE CONCEPT OF COLLECTIVE PERCEPTION -- , AFTERWORD Videophilosophy Now- an Interview with Maurizio Lazzarato -- , NOTES -- , INDEX , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    b3kat_BV045915705
    Format: 1 Online-Ressource (xxv, 276 Seiten)
    ISBN: 9780231540162
    Series Statement: Columbia themes in philosophy, social criticism, and the arts
    Uniform Title: Videofilosofia
    Content: The Italian philosopher Maurizio Lazzarato has earned international acclaim for his analysis of contemporary capitalism, in particular his influential concept of immaterial labor and his perceptive writings on debt. In Videophilosophy, he reveals the underpinnings of contemporary subjectivity in the aesthetics and politics of mass media. First written in French and published in Italian and later revised but never published in full, this book discloses the conceptual groundwork of Lazzarato's thought as a whole for a time when his writings have become increasingly influential.Drawing on Bergson, Nietzsche, Benjamin, Deleuze and Guattari, and the film theory and practice of Dziga Vertov, Lazzarato constructs a new philosophy of media that ties political economy to the politics of aesthetics. Through his concept of "machines that crystallize time," he argues that the proliferation of digital technologies over the past half-century marks the transition to a new mode of capitalist production characterized by unprecedented forms of subjection. This new era of the commodification of the self, Lazzarato declares, demands novel types of political action that challenge the commercialization and exploitation of time. This crucial text by an essential contemporary thinker offers vital new perspectives on aesthetics, politics, and media and critical theory
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-17538-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-17539-5
    Language: English
    Subjects: General works , Sociology
    RVK:
    RVK:
    Keywords: Zeitwahrnehmung ; Kapitalismus ; Elektronische Medien
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Lazzarato, Maurizio 1955-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1654720895
    Format: 1 Online-Ressource (xxv, 262 Seiten)
    ISBN: 9780231540162
    Series Statement: Columbia themes in philosophy, social criticism, and the arts
    Content: The Italian philosopher Maurizio Lazzarato has earned international acclaim for his analysis of contemporary capitalism, in particular his influential concept of immaterial labor and his perceptive writings on debt. In Videophilosophy, he reveals the underpinnings of contemporary subjectivity in the aesthetics and politics of mass media. First written in French and published in Italian and later revised but never published in full, this book discloses the conceptual groundwork of Lazzarato's thought as a whole for a time when his writings have become increasingly influential. Drawing on Bergson, Nietzsche, Benjamin, Deleuze and Guattari, and the film theory and practice of Dziga Vertov, Lazzarato constructs a new philosophy of media that ties political economy to the politics of aesthetics. Through his concept of "machines that crystallize time," he argues that the proliferation of digital technologies over the past half-century marks the transition to a new mode of capitalist production characterized by unprecedented forms of subjection. This new era of the commodification of the self, Lazzarato declares, demands novel types of political action that challenge the commercialization and exploitation of time. This crucial text by an essential contemporary thinker offers vital new perspectives on aesthetics, politics, and media and critical theory.
    Note: Index nicht einsehbar; korrekte Seitenanzahl lt. Druckausgabe: 276 Seiten
    Additional Edition: ISBN 9780231175388
    Additional Edition: ISBN 9780231175395
    Additional Edition: Erscheint auch als Druck-Ausgabe Lazzarato, Maurizio, 1955 - Videophilosophy New York : Columbia University Press, 2019 ISBN 9780231175388
    Additional Edition: ISBN 9780231175395
    Language: English
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    Author information: Lazzarato, Maurizio 1955-
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9959233040302883
    Format: 1 online resource (305 pages).
    ISBN: 0-231-54016-7
    Series Statement: Columbia Themes in Philosophy, Social Criticism, and the Arts
    Uniform Title: Videofilosofia.
    Content: The Italian philosopher Maurizio Lazzarato has earned international acclaim for his analysis of contemporary capitalism, in particular his influential concept of immaterial labor and his perceptive writings on debt. In Videophilosophy, he reveals the underpinnings of contemporary subjectivity in the aesthetics and politics of mass media. First written in French and published in Italian and later revised but never published in full, this book discloses the conceptual groundwork of Lazzarato's thought as a whole for a time when his writings have become increasingly influential.Drawing on Bergson, Nietzsche, Benjamin, Deleuze and Guattari, and the film theory and practice of Dziga Vertov, Lazzarato constructs a new philosophy of media that ties political economy to the politics of aesthetics. Through his concept of "machines that crystallize time," he argues that the proliferation of digital technologies over the past half-century marks the transition to a new mode of capitalist production characterized by unprecedented forms of subjection. This new era of the commodification of the self, Lazzarato declares, demands novel types of political action that challenge the commercialization and exploitation of time. This crucial text by an essential contemporary thinker offers vital new perspectives on aesthetics, politics, and media and critical theory.
    Note: Frontmatter -- , CONTENTS -- , LAZZARATO'S POLITICAL ONTO- AESTHETICS -- , INTRODUCTION -- , 1. THE WAR MACHINE OF THE KINO- EYE AND THE KINOKI AGAINST THE SPECTACLE -- , 2. BERGSON AND MACHINES THAT CRYSTALLIZE TIME -- , 3. VIDEO, FLOWS, AND REAL TIME -- , 4. BERGSON AND SYNTHETIC IMAGES -- , 5. NIETZSCHE AND TECHNOLOGIES OF SIMULATION -- , 6. THE ECONOMY OF AFFECTIVE FORCES -- , 7. THE CONCEPT OF COLLECTIVE PERCEPTION -- , AFTERWORD Videophilosophy Now- an Interview with Maurizio Lazzarato -- , NOTES -- , INDEX , Issued also in print. , In English.
    Additional Edition: ISBN 0-231-17539-6
    Additional Edition: ISBN 0-231-17538-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    almahu_9948350966002882
    Format: 1 online resource
    ISBN: 9780231540162 , 9783110662214
    Series Statement: Columbia Themes in Philosophy, Social Criticism, and the Arts
    Content: The Italian philosopher Maurizio Lazzarato has earned international acclaim for his analysis of contemporary capitalism, in particular his influential concept of immaterial labor and his perceptive writings on debt. In Videophilosophy, he reveals the underpinnings of contemporary subjectivity in the aesthetics and politics of mass media. First written in French and published in Italian and later revised but never published in full, this book discloses the conceptual groundwork of Lazzarato's thought as a whole for a time when his writings have become increasingly influential.Drawing on Bergson, Nietzsche, Benjamin, Deleuze and Guattari, and the film theory and practice of Dziga Vertov, Lazzarato constructs a new philosophy of media that ties political economy to the politics of aesthetics. Through his concept of "machines that crystallize time," he argues that the proliferation of digital technologies over the past half-century marks the transition to a new mode of capitalist production characterized by unprecedented forms of subjection. This new era of the commodification of the self, Lazzarato declares, demands novel types of political action that challenge the commercialization and exploitation of time. This crucial text by an essential contemporary thinker offers vital new perspectives on aesthetics, politics, and media and critical theory.
    Note: Frontmatter -- , CONTENTS -- , LAZZARATO'S POLITICAL ONTO- AESTHETICS -- , INTRODUCTION -- , 1. THE WAR MACHINE OF THE KINO- EYE AND THE KINOKI AGAINST THE SPECTACLE -- , 2. BERGSON AND MACHINES THAT CRYSTALLIZE TIME -- , 3. VIDEO, FLOWS, AND REAL TIME -- , 4. BERGSON AND SYNTHETIC IMAGES -- , 5. NIETZSCHE AND TECHNOLOGIES OF SIMULATION -- , 6. THE ECONOMY OF AFFECTIVE FORCES -- , 7. THE CONCEPT OF COLLECTIVE PERCEPTION -- , AFTERWORD Videophilosophy Now- an Interview with Maurizio Lazzarato -- , NOTES -- , INDEX , Mode of access: Internet via World Wide Web. , In English.
    In: CUP eBook-Package Package 2019, De Gruyter, 9783110662214
    In: CUP eBook-Package Pilot Project 2019, De Gruyter, 9783110651959
    In: EBOOK PACKAGE COMPLETE 2019 English, De Gruyter, 9783110610765
    In: EBOOK PACKAGE COMPLETE 2019, De Gruyter, 9783110664232
    In: EBOOK PACKAGE Philosophy 2019 English, De Gruyter, 9783110610550
    In: EBOOK PACKAGE Philosophy 2019, De Gruyter, 9783110606423
    Language: English
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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