Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (xxiv, 247 Seiten)

ISBN: 9780231540643

Series Statement: Film and culture series

Uniform Title: Énonciation impersonnelle, ou, Le site du film

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-17366-7

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-17367-4

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , General works

Keywords: Filmsemiotik ; Erzähltechnik ; Film ; Filmtheorie

DOI: 10.7312/metz17366

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Metz, Christian 1931-1993

UID:

Format: 1 online resource(256 p.) : , illustrations.

Edition: Electronic reproduction. New York, NY : Columbia University Press, 2015. Mode of access: World Wide Web.

Edition: System requirements: Web browser.

Edition: Access may be restricted to users at subscribing institutions.

ISBN: 9780231540643

Series Statement: Film and Culture Series

Content: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in--and forces him to reassess--his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today.

Note: Frontmatter -- , CONTENTS -- , Acknowledgments -- , Translator’s Introduction -- , BIBLIOGRAPHY -- , PART I: HUMANOID ENUNCIATION -- , 1. Humanoid Enunciation -- , PART II: SOME LANDSCAPES OF ENUNCIATION (A GUIDED TOUR) -- , 2. The Voice of Address in the Image: The Look to Camera -- , 3. The Voice of Address Outside the Image: Related Sounds -- , 4. Written Modes of Address -- , 5. Secondary Screens, or Squaring the Rectangle -- , 6. Mirrors -- , 7. “Exposing the Apparatus” -- , 8. Film(s) Within Film -- , 9. Subjective Images, Subjective Sounds, “Point of View” -- , 10. The I-voice and Related Sounds -- , 11. The Oriented Objective System: Enunciation and Style -- , 12. “Neutral” (?) Images and Sounds -- , PART III: A WALK IN THE CLOUDS (TAKING THEORETICAL FLIGHT) -- , 13. (Taking Theoretical Flight) -- , Notes -- , On the Shelf: Works Cited -- , Index , In English.

Additional Edition: ISBN 9780231173674

Language: English

DOI: 10.7312/metz17366

URL: https://doi.org/10.7312/metz17366

URL: https://doi.org/10.7312/metz17366

UID:

Format: 1 online resource.

ISBN: 9780231540643 (ebook) :

Series Statement: Film and culture

Content: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films 'speak' and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media.

Note: Translated from the French. , Previously issued in print: 2016.

Additional Edition: Print version : ISBN 9780231173667

Language: English

URL: Columbia scholarship online

UID:

Format: XXIV, 247 Seiten

ISBN: 9780231173667 , 9780231173674 , 9780231540643

Series Statement: Film and culture

Uniform Title: L' énonciation impersonnelle ou le site du film

Note: Includes bibliographical references and index

Language: English

Keywords: Filmtheorie ; Filmsemiotik

Author information: Metz, Christian

UID:

Format: xxiv, 247 Seiten.

ISBN: 978-0-231-17366-7 , 978-0-231-17367-4 , 978-0-231-54064-3

Series Statement: Film and culture

Uniform Title: L' énonciation impersonnelle, ou le site du film

Note: Includes bibliographical references and index

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , General works

Keywords: Filmsemiotik ; Erzähltechnik ; Film ; Filmtheorie

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028305744&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028305744&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA

Author information: Metz, Christian, 1931-1993,

UID:

Format: 1 online resource (279 p.)

Edition: 1st ed.

ISBN: 0-231-54064-7

Series Statement: Film and Culture Series

Content: Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today.

Note: Description based upon print version of record. , Frontmatter -- , CONTENTS -- , Acknowledgments -- , Translator's Introduction / , BIBLIOGRAPHY -- , PART I: HUMANOID ENUNCIATION -- , 1. Humanoid Enunciation -- , PART II: SOME LANDSCAPES OF ENUNCIATION (A GUIDED TOUR) -- , 2. The Voice of Address in the Image: The Look to Camera -- , 3. The Voice of Address Outside the Image: Related Sounds -- , 4. Written Modes of Address -- , 5. Secondary Screens, or Squaring the Rectangle -- , 6. Mirrors -- , 7. "Exposing the Apparatus" -- , 8. Film(s) Within Film -- , 9. Subjective Images, Subjective Sounds, "Point of View" -- , 10. The I-voice and Related Sounds -- , 11. The Oriented Objective System: Enunciation and Style -- , 12. "Neutral" (?) Images and Sounds -- , PART III: A WALK IN THE CLOUDS (TAKING THEORETICAL FLIGHT) -- , 13. (Taking Theoretical Flight) -- , Notes -- , On the Shelf: Works Cited -- , Index , Issued also in print. , In English.

Additional Edition: ISBN 0-231-17366-0

Additional Edition: ISBN 0-231-17367-9

Language: English

DOI: 10.7312/metz17366

UID:

Format: 1 Online-Ressource (xxiv, 247 Seiten).

ISBN: 978-0-231-54064-3

Series Statement: Film and culture series

Uniform Title: Énonciation impersonnelle, ou, Le site du film

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-17366-7

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-17367-4

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , General works

Keywords: Filmsemiotik ; Erzähltechnik ; Film ; Filmtheorie

DOI: 10.7312/metz17366

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Metz, Christian 1931-1993