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  • 1
    Online Resource
    Online Resource
    New York, New York :Columbia University Press,
    UID:
    almahu_9948326692502882
    Format: 1 online resource (209 pages).
    ISBN: 9780231540964 (e-book)
    Series Statement: Bampton Lectures in America
    Additional Edition: Print version: Gillick, Liam, 1964- Industry and intelligence : contemporary art since 1820. New York, New York : Columbia University Press, c2016 ISBN 9780231170208
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York : Columbia University Press
    UID:
    b3kat_BV043544577
    Format: xv, 140 Seiten, 50 ungezählte Seiten Bildtafeln , Illustrationen
    ISBN: 9780231170208
    Series Statement: Bampton lectures in America
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-231-54096-4
    Language: English
    RVK:
    Keywords: Kunst ; Wissenschaft ; Technischer Fortschritt ; Politik ; Ästhetik ; Geschichte 1820-2014
    Author information: Gillick, Liam 1964-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9958352068602883
    Format: 1 online resource : , 50 b&w illustrations
    ISBN: 9780231540964
    Content: The conceptual artist Liam Gillick writes a holistic genealogy of contemporary art, arguing that we need to appreciate its engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: Creative Disruption in the Age of Soft Revolutions -- , 1. Contemporary Art Does Not Account for That Which Is Taking Place -- , 2. Projection and Parallelism -- , 3. Art as a Pile: Split and Fragmented Simultaneously -- , 4. 1820: Erasmus and Upheaval -- , 5. ASAP Futures, Not Infinite Future -- , 6. 1948: B. F. Skinner and Counter-Revolution -- , 7. Abstract -- , 8. 1963: Herman Kahn and Projection -- , 9. The Complete Curator -- , 10. Maybe It Would Be Better If We Worked in Groups of Three? -- , 11. The Return of the Border -- , 12. 1974: Volvo and the Mise-en-Scène -- , 13. The Experimental Factory -- , 14. Nostalgia for the Group -- , 15. Why Work? -- , Notes -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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