Kooperativer Bibliotheksverbund

UID:

Format: xix, 440 Seiten , Illustrationen , 27 cm

ISBN: 9780231161060 , 9780231161077

Series Statement: Film and culture

Content: Introduction -- The carceral imaginary -- Tableaux mort: execution, cinema, and carceral fantasies -- Prison on screen: the carceral aesthetic -- The carceral spectator -- Screens and the senses in prison -- The great unseen audience: Sing Sing Prison and motion pictures -- The carceral reformer -- A different story: recreation and cinema in women's prisons and reformatories -- Cinema and prison reform -- Conclusion: the prison museum and media use in the contemporary prison

Note: Includes bibliographical references and index -- Includes filmography , Hier auch später erschienene, unveränderte Nachdrucke , IntroductionThe carceral imaginary -- Tableaux mort: execution, cinema, and carceral fantasies -- Prison on screen: the carceral aesthetic -- The carceral spectator -- Screens and the senses in prison -- The great unseen audience: Sing Sing Prison and motion pictures -- The carceral reformer -- A different story: recreation and cinema in women's prisons and reformatories -- Cinema and prison reform -- Conclusion: the prison museum and media use in the contemporary prison.

Additional Edition: ISBN 9780231541565

Language: English

Subjects: General works

Keywords: USA ; Gefängnis ; Filmvorführung ; Film ; Gefängnis ; Geschichte 1900-1940

URL: Inhaltsverzeichnis

URL: Klappentext

UID:

Format: 1 online resource

ISBN: 9780231541565

Content: A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s.She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison.

Note: Frontmatter -- , Contents -- , List of Figures -- , Acknowledgments -- , Introduction -- , Part One. The Carceral Imaginary -- , 1. Tableaux Mort: Execution, Cinema, and Carceral Fantasies -- , 2. Prison on Screen: The Carceral Aesthetic -- , Part Two. The Carceral Spectator -- , 3. Screens and the Senses in Prison -- , 4. “The Great Unseen Audience”: Sing Sing Prison and Motion Pictures -- , Part Three. The Carceral Reformer -- , 5. A Different Story: Recreation and Cinema in Women’s Prisons and Reformatories -- , 6. Cinema and Prison Reform -- , Conclusion: The Prison Museum and Media Use in the Con temporary Prison -- , Notes -- , Filmography -- , Bibliography -- , Index , In English.

Language: English

DOI: 10.7312/grif16106

URL: https://doi.org/10.7312/grif16106

UID:

Format: 1 online resource

ISBN: 9780231541565

Content: A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s.She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison

Language: English

UID:

Format: 1 online resource

ISBN: 9780231541565

Content: A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s.She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison.

Note: Frontmatter -- , Contents -- , List of Figures -- , Acknowledgments -- , Introduction -- , Part One. The Carceral Imaginary -- , 1. Tableaux Mort: Execution, Cinema, and Carceral Fantasies -- , 2. Prison on Screen: The Carceral Aesthetic -- , Part Two. The Carceral Spectator -- , 3. Screens and the Senses in Prison -- , 4. “The Great Unseen Audience”: Sing Sing Prison and Motion Pictures -- , Part Three. The Carceral Reformer -- , 5. A Different Story: Recreation and Cinema in Women’s Prisons and Reformatories -- , 6. Cinema and Prison Reform -- , Conclusion: The Prison Museum and Media Use in the Con temporary Prison -- , Notes -- , Filmography -- , Bibliography -- , Index , In English.

Language: English

DOI: 10.7312/grif16106

URL: https://doi.org/10.7312/grif16106

UID:

Format: 1 online resource : , illustrations (black and white).

ISBN: 9780231541565 (ebook) :

Series Statement: Film and culture

Content: A groundbreaking contribution to the study of non-theatrical film exhibition, 'Carceral Fantasies' shows how cinema found a home in the U.S. penitentiary system and how the prison emerged as a narrative trope in modern cinema. Focusing on films shown in prisons before 1935, the book explores the experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life.

Note: Previously issued in print: 2016.

Additional Edition: Print version : ISBN 9780231161060

Language: English

URL: Columbia scholarship online

UID:

Format: 1 Online-Ressource (xix, 440 Seiten) : , Illustrationen.

ISBN: 978-0-231-54156-5

Series Statement: Film and culture

Note: Enthält Index. - Filmografie: Seite 375-379

Additional Edition: Erscheint auch als Druckausgabe ISBN 9780231161060

Language: English

Keywords: Gefängnis ; Filmvorführung ; Film ; Gefängnis

DOI: 10.7312/grif16106

URL: Volltext  (URL des Erstveröffentlichers)