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  • 1
    UID:
    gbv_1025740998
    Format: XIII, 342 Seiten , Illustrationen
    ISBN: 9780231187589
    Series Statement: Columbia themes in philosophy, social criticism, and the arts
    Content: The fragility of democracy and the political aesthetics of public art -- Voices and places: the space of public art and Wodiczko's the homeless projection -- Democracy's "empty place": Rawls's political liberalism and Derrida's democracy to come -- Public art's "plain tablet": the political aesthetics of contemporary art -- Democracy and public art: Badiou and Ranciere -- The political aesthetics of Chicago's Millennium Park -- The political aesthetics of New York's National 9/11 Memorial -- Public art as an act of citizenship -- Badiou on "being and the void"
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780231547369
    Additional Edition: Erscheint auch als Online-Ausgabe Evans, Fred J., 1944 - Public art and the fragility of democracy New York : Columbia University Press, 2019 ISBN 9780231547369
    Language: English
    Keywords: Kunst ; Öffentlicher Raum ; Demokratie ; Politische Ästhetik ; Politische Philosophie ; Geschichte 1950-2010 ; Wodiczko, Krzysztof 1943- ; Rawls, John 1921-2002 ; Derrida, Jacques 1930-2004 ; Badiou, Alain 1937- ; Rancière, Jacques 1940- ; Millennium Park ; National September 11 Memorial & Museum
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9958998817402883
    Format: 1 online resource : , 22 b&w illustrations
    ISBN: 9780231547369
    Series Statement: Columbia Themes in Philosophy, Social Criticism, and the Arts
    Content: Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency.In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago's Millennium Park and New York's National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
    Note: Frontmatter -- , CONTENTS -- , PREFACE AND ACKNOWLEDGMENTS -- , 1. DEMOCRACY'S FRAGILITY AND THE POLITICAL AESTHETICS OF PUBLIC ART -- , 2. VOICES AND PLACES: THE SPACE OF PUBLIC ART AND WODICZKO'S THE HOMELESS PROJECTION -- , 3. DEMOCRACY'S "EMPTY PLACE": RAWLS'S POLITICAL LIBERALISM AND DERRIDA'S DEMOCRACY TO COME -- , 4. PUBLIC ART'S "PLAIN TABLET": THE POLITICAL AESTHETICS OF CONTEMPORARY ART -- , 5. DEMOCRACY AND PUBLIC ART: BADIOU AND RANCIÈRE -- , 6. THE POLITICAL AESTHETICS OF CHICAGO'S MILLENNIUM PARK -- , 7. THE POLITICAL AESTHETICS OF NEW YORK'S NATIONAL 9/11 MEMORIAL -- , 8. PUBLIC ART AS AN ACT OF CITIZENSHIP -- , Appendix: Badiou on "Being and the Void" -- , NOTES -- , BIBLIOGRAPHY -- , INDEX , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9959242272802883
    Format: 1 online resource (361 pages).
    ISBN: 0-231-54736-6
    Series Statement: Columbia Themes in Philosophy, Social Criticism, and the Arts
    Content: Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency.In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago's Millennium Park and New York's National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
    Note: Frontmatter -- , CONTENTS -- , PREFACE AND ACKNOWLEDGMENTS -- , 1. DEMOCRACY'S FRAGILITY AND THE POLITICAL AESTHETICS OF PUBLIC ART -- , 2. VOICES AND PLACES: THE SPACE OF PUBLIC ART AND WODICZKO'S THE HOMELESS PROJECTION -- , 3. DEMOCRACY'S "EMPTY PLACE": RAWLS'S POLITICAL LIBERALISM AND DERRIDA'S DEMOCRACY TO COME -- , 4. PUBLIC ART'S "PLAIN TABLET": THE POLITICAL AESTHETICS OF CONTEMPORARY ART -- , 5. DEMOCRACY AND PUBLIC ART: BADIOU AND RANCIÈRE -- , 6. THE POLITICAL AESTHETICS OF CHICAGO'S MILLENNIUM PARK -- , 7. THE POLITICAL AESTHETICS OF NEW YORK'S NATIONAL 9/11 MEMORIAL -- , 8. PUBLIC ART AS AN ACT OF CITIZENSHIP -- , Appendix: Badiou on "Being and the Void" -- , NOTES -- , BIBLIOGRAPHY -- , INDEX , In English.
    Additional Edition: ISBN 0-231-18758-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    almahu_9948094357402882
    Format: 1 online resource : , 22 b&w illustrations
    ISBN: 9780231547369 , 9783110662559
    Series Statement: Columbia Themes in Philosophy, Social Criticism, and the Arts
    Content: Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency.In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago's Millennium Park and New York's National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
    Note: Frontmatter -- , CONTENTS -- , PREFACE AND ACKNOWLEDGMENTS -- , 1. DEMOCRACY'S FRAGILITY AND THE POLITICAL AESTHETICS OF PUBLIC ART -- , 2. VOICES AND PLACES: THE SPACE OF PUBLIC ART AND WODICZKO'S THE HOMELESS PROJECTION -- , 3. DEMOCRACY'S "EMPTY PLACE": RAWLS'S POLITICAL LIBERALISM AND DERRIDA'S DEMOCRACY TO COME -- , 4. PUBLIC ART'S "PLAIN TABLET": THE POLITICAL AESTHETICS OF CONTEMPORARY ART -- , 5. DEMOCRACY AND PUBLIC ART: BADIOU AND RANCIÈRE -- , 6. THE POLITICAL AESTHETICS OF CHICAGO'S MILLENNIUM PARK -- , 7. THE POLITICAL AESTHETICS OF NEW YORK'S NATIONAL 9/11 MEMORIAL -- , 8. PUBLIC ART AS AN ACT OF CITIZENSHIP -- , Appendix: Badiou on "Being and the Void" -- , NOTES -- , BIBLIOGRAPHY -- , INDEX , Mode of access: Internet via World Wide Web. , In English.
    In: CUP eBook Package 2016-2018, De Gruyter, 9783110662559
    In: CUP eBook-Package Package 2018, De Gruyter, 9783110654868
    In: CUP eBook-Package Pilot Project 2018, De Gruyter, 9783110606607
    In: EBOOK PACKAGE COMPLETE 2018 English, De Gruyter, 9783110604252
    In: EBOOK PACKAGE COMPLETE 2018, De Gruyter, 9783110603255
    In: EBOOK PACKAGE Philosophy 2018 English, De Gruyter, 9783110604214
    In: EBOOK PACKAGE Philosophy 2018, De Gruyter, 9783110603217
    Language: English
    URL: Cover
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