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  • 1
    UID:
    almahu_BV047844399
    Format: xv, 271 Seiten : , Illustrationen.
    ISBN: 978-0-231-19152-4 , 978-0-231-19153-1
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-231-54944-8
    Language: English
    Subjects: Scandinavian Studies , General works
    RVK:
    RVK:
    Keywords: 1956- Trier, Lars von ; Film
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    almahu_9949481469502882
    Format: 1 online resource : , 28 film stills
    ISBN: 9780231549448 , 9783110749663
    Content: Lars von Trier built a reputation as a provocateur from the start-but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013-14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to "extreme" cinema. Following von Trier's experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director's controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier's preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier's artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier's work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, "dark ecology," and the postcinematic.
    Note: Frontmatter -- , Preface -- , Acknowledgments -- , Introduction -- , 1. Nature as Satan's Church: Antichrist's Dark Ecology -- , 2. Melancholia: Wagner, Superkitsch, and Dark Ecology -- , 3. Nymphomaniac: Digressionism, Collaboration, Hypotexts, Paratexts -- , 4. The House That Jack Built: Murder as Art/Art as Murder -- , Coda -- , Appendix -- , Notes -- , Filmography -- , Bibliography -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: Columbia University Press Complete eBook-Package 2022, De Gruyter, 9783110749663
    In: EBOOK PACKAGE Arts 2022, De Gruyter, 9783110992809
    In: EBOOK PACKAGE Arts, Architecture and Design 2022 English, De Gruyter, 9783110992816
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    Language: English
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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