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  • 1
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    almafu_9959173353902883
    Format: 1 online resource
    ISBN: 9780231550260
    Content: The classic Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There is no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin.In The Japanese Discovery of Chinese Fiction, William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin’s literary afterlives, Hedberg offers an alternative history of East Asian textual culture: one that focuses on the transregional dimensions of Japanese literary history and helps us rethink the definition and boundaries of Japanese literature itself.
    Note: Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , NOTE ON FORMATTING -- , Introduction. Entering the Margins–Reading Shuihu zhuan as Japanese Literature -- , Chapter One. Sinophilia, Sinophobia, and Vernacular Philology in Early Modern Japan -- , Chapter Two. Histories of Reading and Nonreading: Shuihu zhuan as Text and Touchstone in Early Modern Japan -- , Chapter Three. Justifying the Margins: Nation, Canon, and Chinese Fiction in Meiji and Taishō Chinese-Literature Historiography (Shina bungakushi) -- , Chapter Four. Civilization and Its Discontents: Travel, Translation, and Armchair Ethnography -- , Epilogue. A Final View from the Margins -- , LIST OF TITLES, NAMES, AND SELECTED KEY TERMS -- , NOTES -- , BIBLIOGRAPHY -- , INDEX , In English.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1664783385
    Format: xii, 250 Seiten
    ISBN: 9780231193344
    Content: "The classic vernacular Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There may be no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin. In The Japanese Discovery of Chinese Fiction, William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways in which Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin's literary afterlives, Hedberg offers an alternative history of East Asian literary culture: one that focuses on the transregional dimensions of Japanese literary history and helps rethink the definition and boundaries of Japanese literature itself"--
    Additional Edition: ISBN 9780231550260
    Additional Edition: Erscheint auch als Online-Ausgabe Hedberg, William C. The Japanese discovery of Chinese fiction New York : Columbia University Press, 2020 ISBN 9780231550260
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Shui hu zhuan ; Rezeption ; Japan ; Meiji-Zeit ; Taishō-Periode ; Chinabild ; Geschichte 1868-1926
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    edocfu_9959173353902883
    Format: 1 online resource
    ISBN: 9780231550260
    Content: The classic Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There is no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin.In The Japanese Discovery of Chinese Fiction, William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin’s literary afterlives, Hedberg offers an alternative history of East Asian textual culture: one that focuses on the transregional dimensions of Japanese literary history and helps us rethink the definition and boundaries of Japanese literature itself.
    Note: Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , NOTE ON FORMATTING -- , Introduction. Entering the Margins–Reading Shuihu zhuan as Japanese Literature -- , Chapter One. Sinophilia, Sinophobia, and Vernacular Philology in Early Modern Japan -- , Chapter Two. Histories of Reading and Nonreading: Shuihu zhuan as Text and Touchstone in Early Modern Japan -- , Chapter Three. Justifying the Margins: Nation, Canon, and Chinese Fiction in Meiji and Taishō Chinese-Literature Historiography (Shina bungakushi) -- , Chapter Four. Civilization and Its Discontents: Travel, Translation, and Armchair Ethnography -- , Epilogue. A Final View from the Margins -- , LIST OF TITLES, NAMES, AND SELECTED KEY TERMS -- , NOTES -- , BIBLIOGRAPHY -- , INDEX , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    almafu_9959797927502883
    Format: 1 online resource (265 pages)
    ISBN: 0-231-55026-X
    Content: The classic Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There is no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin.In The Japanese Discovery of Chinese Fiction, William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin's literary afterlives, Hedberg offers an alternative history of East Asian textual culture: one that focuses on the transregional dimensions of Japanese literary history and helps us rethink the definition and boundaries of Japanese literature itself.
    Note: Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , NOTE ON FORMATTING -- , Introduction. Entering the Margins-Reading Shuihu zhuan as Japanese Literature -- , Chapter One. Sinophilia, Sinophobia, and Vernacular Philology in Early Modern Japan -- , Chapter Two. Histories of Reading and Nonreading: Shuihu zhuan as Text and Touchstone in Early Modern Japan -- , Chapter Three. Justifying the Margins: Nation, Canon, and Chinese Fiction in Meiji and Taishō Chinese-Literature Historiography (Shina bungakushi) -- , Chapter Four. Civilization and Its Discontents: Travel, Translation, and Armchair Ethnography -- , Epilogue. A Final View from the Margins -- , LIST OF TITLES, NAMES, AND SELECTED KEY TERMS -- , NOTES -- , BIBLIOGRAPHY -- , INDEX , In English.
    Additional Edition: ISBN 0-231-19334-3
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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