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  • 1
    Online Resource
    Online Resource
    New York, NY :Columbia University Press,
    UID:
    almafu_9959329457302883
    Format: 1 online resource : , 20 film stills
    ISBN: 9780231851176
    Series Statement: Nonfictions
    Content: Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post–Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-generation survivor and the perpetrator of genocide. These films break with Western tradition and disrupt the political view that reconciliation is the only legitimate response to atrocities of the past. Rather, transcending the perpetrator’s typical denial or partial confession, this extraordinary form of “duel” documentary creates confrontational tension and opens up the possibility of a transformation in power relations, allowing viewers to access feelings of moral resentment.Raya Morag examines works by Rithy Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume Suon, among others, to uncover the ways in which filmmakers endeavor to allow the survivors’ moral status and courage to guide viewers to a new, more complete understanding of the processes of coming to terms with the past. These documentaries show how moral resentment becomes a way to experience, symbolize, judge, and finally incorporate evil into a system of ethics. Morag’s analysis reveals how perpetrator cinema provides new epistemic tools and propels the recent social-cultural-psychological shift from the era of the witness to the era of the perpetrator.
    Note: Frontmatter -- , CONTENTS -- , PREFACE -- , ACKNOWLEDGMENTS -- , ABBREVIATIONS -- , 1. DEFINING PERPETRATOR CINEMA -- , 2. POST– KHMER ROUGE CAMBODIAN CINEMA AND THE BIG PERPETRATORS: RECONCILIATION OR RESENTMENT? -- , 3. PERPETRATORHOOD PARADIGMS: THE DUEL AND MORAL RESENTMENT -- , 4. GENDERED GENOCIDE: THE FEMALE PERPETRATOR, FORCED MARRIAGE, AND RAPE -- , EPILOGUE: THE ERA OF PERPETRATOR ETHICS -- , NOTES -- , FILMOGRAPHY -- , BIBLIOGRAPHY -- , INDEX , In English.
    Language: English
    Subjects: Ethnology , General works
    RVK:
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    gbv_1833285697
    Format: 1 Online-Ressource (xvii, 283 pages) , illustrations
    ISBN: 9780231851176 , 0231851170
    Series Statement: Nonfictions
    Content: "Perpetrator Cinema explores a new trend in the cinematic depiction of genocide that has emerged in Cambodian documentary in the late twentieth- and early twenty-first centuries. While past films documenting the Holocaust and genocides in Yugoslavia, Rwanda, and elsewhere have focused on collecting and foregrounding the testimony of survivors and victims, the intimate horror of the autogenocide enables post-Khmer Rouge Cambodian documentarians to propose a direct confrontation between the first-generation survivor and the perpetrator of genocide. These films break with Western tradition and disrupt the political view that reconciliation is the only legitimate response to atrocities of the past. Rather, transcending the perpetrator's typical denial or partial confession, this extraordinary form of "duel" documentary creates confrontational tension and opens up the possibility of a transformation in power relations, allowing viewers to access feelings of moral resentment. Raya Morag examines works by Rithy Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume Suon, among others, to uncover the ways in which filmmakers endeavor to allow the survivors' moral status and courage to guide viewers to a new, more complete understanding of the processes of coming to terms with the past. These documentaries show how moral resentment becomes a way to experience, symbolize, judge, and finally incorporate evil into a system of ethics. Morag's analysis reveals how perpetrator cinema provides new epistemic tools and propels the recent social-cultural-psychological shift from the era of the witness to the era of the perpetrator"--
    Note: Includes bibliographical references and index , Introduction : Defining Perpetrator Cinema -- Post-Khmer Rouge Cambodian Cinema and the Big Perpetrators : Reconciliation or Resentment? -- Perpetratorhood Paradigms : The Duel and Moral Resentment -- Gendered Genocide : The Female Perpetrator, Forced Marriage and Rape -- Epilogue : The Era of Perpetrator Ethics
    Additional Edition: ISBN 9780231185080
    Additional Edition: ISBN 0231185081
    Additional Edition: ISBN 9780231185097
    Additional Edition: ISBN 023118509X
    Additional Edition: Erscheint auch als Druck-Ausgabe Morag, Raya Perpetrator cinema New York : Wallflower Press, [2020] ISBN 9780231185080
    Language: English
    Author information: Morag, Raya
    Library Location Call Number Volume/Issue/Year Availability
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