Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
Medientyp
Sprache
Region
Bibliothek
Erscheinungszeitraum
Person/Organisation
  • 1
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press
    UID:
    gbv_1888604638
    Umfang: 1 Online-Ressource (xvi, 319 pages) , illustrations, music
    ISBN: 9780252052569 , 0252052560
    Inhalt: "Robert Wannamaker's two-volume study explores the influential music and ideas of American composer, theorist, writer, performer, and educator James Tenney. Delving into the whole of Tenney's oeuvre, Wannamaker provides in-depth, aurally grounded analyses of works linked to the artist's revolutionary theories of musical form, timbre, and harmonic perception. Volume 1, Contexts and Paradigms, chronologically surveys Tenney's creative development and output. Each section begins with biographical, aesthetic, and technical context that illuminates a distinct period in Tenney's career. Wannamaker then analyzes a small number of pieces that illuminate the concerns, characteristics, and techniques that emerged in Tenney's music during that time. He supplements the text with musical examples, graphs, and diagrams while also drawing on unpublished material and newly available primary sources to flesh out each work and the ideas that shaped it. Written as a reference work, Volume 2, A Handbook to the Pieces, presents detailed entries on Tenney's significant post-1959 experimental works (excepting pieces covered in Volume 1). It includes technical information, an analysis of intentions and goals, graphs and musical examples, historical and biographical context, and thoughts from Tenney and others on specific works. Throughout, Wannamaker discusses the compositional ideas found in Tenney's music and, where appropriate, traces an idea's appearance from one piece to the next to reveal the evolution of the composer's art and thought"--
    Anmerkung: Includes bibliographical references and index , Introduction -- Early works and influences (1934-59) -- Tape music and "Meta/hodos" (1959-61) -- Computer music and ergodicity (1961-64) -- Performance and the social (1964-68) -- Process and continuity (1969-71) -- Interlude : harmonic theory -- Canons and the harmonic series (1972-79) -- Harmonic spaces (1980-85) -- Transition and tradition (1986-94) -- Spectra and diaphony (1994-2006) -- A tradition of experimentation -- Appendix A. Acoustics, sensation, and logarithmic models -- Appendix B. Spectrographic analysis.
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Wannamaker, Rob Music of James Tenney. Volume 1, Contexts and paradigms Champaign : University of Illinois Press, 2021 ISBN 9780252043673
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Urbana : University of Illinois Press
    UID:
    gbv_1888604654
    Umfang: 1 Online-Ressource (420 pages) , illustrations, music
    ISBN: 9780252052576 , 0252052579
    Inhalt: "Robert Wannamaker's two-volume study explores the influential music and ideas of American composer, theorist, writer, performer, and educator James Tenney. Delving into the whole of Tenney's oeuvre, Wannamaker provides in-depth, aurally grounded analyses of works linked to the artist's revolutionary theories of musical form, timbre, and harmonic perception. Volume 1, Contexts and Paradigms, chronologically surveys Tenney's creative development and output. Each section begins with biographical, aesthetic, and technical context that illuminates a distinct period in Tenney's career. Wannamaker then analyzes a small number of pieces that illuminate the concerns, characteristics, and techniques that emerged in Tenney's music during that time. He supplements the text with musical examples, graphs, and diagrams while also drawing on unpublished material and newly available primary sources to flesh out each work and the ideas that shaped it. Written as a reference work, Volume 2, A Handbook to the Pieces, presents detailed entries on Tenney's significant post-1959 experimental works (excepting pieces covered in Volume 1). It includes technical information, an analysis of intentions and goals, graphs and musical examples, historical and biographical context, and thoughts from Tenney and others on specific works. Throughout, Wannamaker discusses the compositional ideas found in Tenney's music and, where appropriate, traces an idea's appearance from one piece to the next to reveal the evolution of the composer's art and thought"--
    Anmerkung: Includes bibliographical references and index , 1952-59 (early works) -- 1959-61 (tape music) -- 1961-64 (computer music) -- 1964-68 (performance and the social) -- 1969-73 (process and continuity) -- 1972-79 (canons and the harmonic series) -- 1980-85 (harmonic spaces) -- 1986-94 (transition and tradition) -- 1994-2006 (spectra and diaphony) -- Music in popular styles -- Arrangements.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Meinten Sie 9780252042539?
Meinten Sie 9780252032561?
Meinten Sie 9780252036569?
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie auf den KOBV Seiten zum Datenschutz