Kooperativer Bibliotheksverbund

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Format: 1 online resource (184 p.)

ISBN: 9780271088372

Content: The impetus for literary creation has often been explained as an attempt to transcend the mortality of the human condition through a work addressed to future generations. Failing to obtain literal immortality, or to turn their hope towards the spiritual immortality promised by religious systems, literary creators seek a symbolic form of perpetuity granted to the intellectual side of their person in the memory of those not yet born while they write. In this book, Benjamin Hoffmann illuminates the paradoxes inherent in the search for symbolic immortality, arguing that the time has come to find a new answer to the perennial question: Why do people write?Exploring the fields of digital humanities and book history, Hoffmann describes posterity as a network of interconnected memories that constantly evolves by reserving a variable and continuously renegotiated place for works and authors of the past. In other words, the perpetual safeguarding of texts is delegated to a collectivity not only nonexistent at the moment when a writer addresses it, but whose nature is characterized by impermanence and instability. Focusing on key works by Denis Diderot, Étienne-Maurice Falconet, Giacomo Casanova, François-René de Chateaubriand, and Jean-Paul Sartre, Hoffmann considers the authors’ representations of posterity, the representation of authors by posterity, and how to register and preserve works in the network of memories. In doing so, Hoffmann reveals the three great paradoxes in the quest for symbolic immortality: the paradoxes of belief, of identity, and of mediation.Theoretically sophisticated and convincingly argued, this book contends that there is only one truly serious literary problem: the transmission of texts to posterity. It will appeal to specialists in literature, in particular eighteenth-century French literature, as well as scholars and students of philosophy and book history.

Note: Frontmatter -- , Contents -- , Introduction: Why Do People Write? -- , The Paradoxes of Belief -- , First Paradox: The Current Concert and the Distant Melody -- , Second Paradox: The Lottery and the Ruse -- , Third Paradox: The Renunciation and the Reward -- , The Paradoxes of Identity -- , Fourth Paradox: The Proper Noun and the Common Noun -- , Fifth Paradox: The Flow and the Entity -- , Sixth Paradox: The Distance and the Judgement -- , The Paradoxes of Mediation -- , Seventh Paradox: The Rosetta Stone and Agrippina’s Thrush -- , Eighth Paradox: The Manuscript and the USB Key -- , Ninth Paradox: The Comet and the Astronomer -- , Conclusion: Why Do People (Still) Write? -- , Notes -- , Index , In English.

Language: English

DOI: 10.1515/9780271088372

URL: https://doi.org/10.1515/9780271088372

URL: https://www.degruyter.com/isbn/9780271088372

UID:

Format: 1 online resource (185 pages)

ISBN: 0-271-08837-0 , 0-271-08835-4

Content: The impetus for literary creation has often been explained as an attempt to transcend the mortality of the human condition through a work addressed to future generations. Failing to obtain literal immortality, or to turn their hope towards the spiritual immortality promised by religious systems, literary creators seek a symbolic form of perpetuity granted to the intellectual side of their person in the memory of those not yet born while they write. In this book, Benjamin Hoffmann illuminates the paradoxes inherent in the search for symbolic immortality, arguing that the time has come to find a new answer to the perennial question: Why do people write?Exploring the fields of digital humanities and book history, Hoffmann describes posterity as a network of interconnected memories that constantly evolves by reserving a variable and continuously renegotiated place for works and authors of the past. In other words, the perpetual safeguarding of texts is delegated to a collectivity not only nonexistent at the moment when a writer addresses it, but whose nature is characterized by impermanence and instability. Focusing on key works by Denis Diderot, Étienne-Maurice Falconet, Giacomo Casanova, François-René de Chateaubriand, and Jean-Paul Sartre, Hoffmann considers the authors’ representations of posterity, the representation of authors by posterity, and how to register and preserve works in the network of memories. In doing so, Hoffmann reveals the three great paradoxes in the quest for symbolic immortality: the paradoxes of belief, of identity, and of mediation.Theoretically sophisticated and convincingly argued, this book contends that there is only one truly serious literary problem: the transmission of texts to posterity. It will appeal to specialists in literature, in particular eighteenth-century French literature, as well as scholars and students of philosophy and book history.

Note: First published in French in 2019 by Les éditions de Minuit under the title: Les paradoxes de la postérité. , Frontmatter -- , Contents -- , Introduction: Why Do People Write? -- , The Paradoxes of Belief -- , First Paradox: The Current Concert and the Distant Melody -- , Second Paradox: The Lottery and the Ruse -- , Third Paradox: The Renunciation and the Reward -- , The Paradoxes of Identity -- , Fourth Paradox: The Proper Noun and the Common Noun -- , Fifth Paradox: The Flow and the Entity -- , Sixth Paradox: The Distance and the Judgement -- , The Paradoxes of Mediation -- , Seventh Paradox: The Rosetta Stone and Agrippina’s Thrush -- , Eighth Paradox: The Manuscript and the USB Key -- , Ninth Paradox: The Comet and the Astronomer -- , Conclusion: Why Do People (Still) Write? -- , Notes -- , Index , In English and French.

Additional Edition: ISBN 0-271-08703-X

Language: English

DOI: 10.1515/9780271088372