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  • 1
    Book
    Book
    Seattle, Wash. [u.a.] : Univ. of Washington Press
    UID:
    gbv_1617781444
    Format: 351 S. , zahlr. Ill., Kt.
    ISBN: 9780295992136
    Series Statement: A China program book
    Content: Shuishan Yu is associate professor of art history at Oakland University in Rochester, Michigan
    Content: "In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings.Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride.Shuishan Yu is associate professor of art history at Oakland University in Rochester, Michigan."--
    Note: Outgrowth of the author's thesis (Ph.D.--University of Washington) , Includes bibliographical references (pages 327 - 340) and index , Teilw. zugl.: Seattle, Wash., Univ. of Washington, Diss. , The History of Chang'an Avenue in an Urban ContextNational versus Modern: The 1950s -- Collective Creation: The 1964 Chang'an Avenue Planning -- Modernization in a Postmodern World: The 1970s and 1980s -- Collage without Planning: Toward the New Millennium -- Chang'an Avenue and the Axes of Beijing -- Conclusion: Chang'an Avenue in a Global Context.
    Language: English
    Subjects: Engineering
    RVK:
    Keywords: Architektur ; China ; Verkehrsbau ; Städtebau ; Peking ; Architektur ; Verkehrsbau ; Städtebau ; Prachtstraße ; Modernisierung ; Hochschulschrift
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Seattle : University of Washington Press
    UID:
    kobvindex_INT51613
    Format: 1 online resource (366 pages)
    Edition: 1st ed.
    ISBN: 9780295804484
    Series Statement: China Program Bks.
    Note: Intro -- Contents -- Acknowledgments -- A Note on Language -- Introduction -- Chapter One: The History of Chang'an Avenue in an Urban Context -- Chapter Two: National versus Modern: The 1950s -- Chapter Three: Collective Creation: The 1964 Chang'an Avenue Planning -- Chapter Four: Modernization in a Postmodern World: The 1970s and 1980s -- Chapter Five: Collage without Planning: Toward the New Millennium -- Chapter Six: Chang'an Avenue and the Axes of Beijing -- Conclusion: Chang'an Avenue in a Global Context -- Notes -- Glossary -- Bibliography -- Index
    Additional Edition: Print version Yu, Shuishan Chang'an Avenue and the Modernization of Chinese Architecture Seattle : University of Washington Press,c2013 ISBN 9780295992136
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Seattle :University of Washington Press,
    UID:
    edocfu_9959234548002883
    Format: 1 online resource (366 p.)
    Edition: 1st ed.
    ISBN: 0-295-80448-3
    Series Statement: A China program book
    Content: "In this interdisciplinary narrative, the never-ending "completion" of China's most important street offers a broad view of the relationship between art and ideology in modern China. Chang'an Avenue, named after China's ancient capital (whose name means "Eternal Peace"), is supremely symbolic. Running east-west through the centuries-old heart of Beijing, it intersects the powerful north-south axis that links the traditional centers of political and spiritual legitimacy (the imperial Forbidden City and the Temple of Heaven). Among its best-known features are Tiananmen Square and the Great Hall of the People, as well as numerous other monuments and prominent political, cultural, financial, and travel-related institutions. Drawing on Chang'an Avenue's historic ties and modern transformations, this study explores the deep structure of the Chinese modernization project, providing both a big picture of Beijing's urban texture alteration and details in the design process of individual buildings.Political winds shift, architectural styles change, and technological innovations influence waves of demolition and reconstruction in this analysis of Chang'an Avenue's metamorphosis. During collective design processes, architects, urban planners, and politicians argue about form, function, and theory, and about Chinese vs. Western and traditional vs. modern style. Every decision is fraught with political significance, from the 1950s debate over whether Tiananmen Square should be open or partially closed; to the 1970s discussion of the proper location, scale, and design of the Mao Memorial/Mausoleum; to the more recent controversy over whether the egg-shaped National Theater, designed by the French architect Paul Andreu, is an affront to Chinese national pride.Shuishan Yu is associate professor of art history at Oakland University in Rochester, Michigan."--
    Note: Outgrowth of the author's thesis (Ph.D.--University of Washington). , The History of Chang'an Avenue in an Urban Context -- National versus Modern: The 1950s -- Collective Creation: The 1964 Chang'an Avenue Planning -- Modernization in a Postmodern World: The 1970s and 1980s -- Collage without Planning: Toward the New Millennium -- Chang'an Avenue and the Axes of Beijing -- Conclusion: Chang'an Avenue in a Global Context. , English
    Additional Edition: ISBN 0-295-99213-1
    Language: English
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