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  • 1
    Book
    Book
    New Haven [u.a.] :Yale Univ. Press,
    UID:
    almafu_BV014692497
    Format: XIV, 290 S. : Ill.
    ISBN: 0-300-08374-2
    Content: Mit Bezügen zu Paul Klee.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Kunst ; Kunst ; Musik
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New Haven, CT : Yale University Press
    UID:
    gbv_1782397116
    Format: 1 Online-Ressource (304 pages) , 45 b/w illus. + 30 music examples
    ISBN: 9780300130171
    Content: Frontmatter -- Contents -- Preface -- Acknowledgments -- 1.Ut Pictura Musica: Interdisciplinarity, Art, and Music -- 2. ''Deeds of Music Made Visible'': Wagner, the Gesamtkunstwerk, and the Birth of the Modern -- 3. Instruments of Desire: Musical Morphology in Picasso's Cubism -- 4.Quasi Una Musica: Kupka and Klee, Music, and the Idea of Abstraction -- 5.''Out of Tune'': Hauer's Legacy and the Aesthetics of Minimalism in Art and Music -- 6.A Chorus of Voices: Seeing Music in Cage and Fluxus, the Birth of the Postmodern -- Notes -- Index
    Content: This thoughtful and provocative book explores the relationship between music and the visual arts in the late nineteenth and twentieth centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer, and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history.Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the Gesamtkunstwerk as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these fascinating examples, Shaw-Miller raises questions about both art and music history that will be of interest to students of both disciplines
    Note: Mode of access: Internet via World Wide Web. , In English
    Additional Edition: ISBN 9780300083743
    Additional Edition: Erscheint auch als Druck-Ausgabe Shaw-Miller, Simon, 1960 - Visible deeds of music New Haven : Yale University Press, 2002 ISBN 0300083742
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Kunst ; Beziehung ; Musik ; Geschichte 1860-1960
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New Haven :Yale University Press,
    UID:
    edocfu_9959229891302883
    Format: 1 online resource : , illustrations, music
    Edition: 1st ed.
    ISBN: 1-281-72236-7 , 9786611722364 , 0-300-13017-1
    Content: This thoughtful and provocative book explores the relationship between music and the visual arts in the late nineteenth and twentieth centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer, and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history.Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the Gesamtkunstwerk as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these fascinating examples, Shaw-Miller raises questions about both art and music history that will be of interest to students of both disciplines.
    Note: Ut pictura musica : interdisciplinarity, art, and music -- "Deeds of music made visible" : Wagner, the Gesamtkunstwerk, and the birth of the modern -- Instruments of desire : musical morphology in Picasso's cubism -- Quasi una musica : Kupka and Klee, music, and the idea of abstraction -- "Out of tune" : Hauer's legacy and the aesthetics of minimalism in art and music -- A chorus of voices : seeing music in Cage and Fluxus, the birth of the postmodern. , In English.
    Additional Edition: ISBN 0-300-08374-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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