UID:
edocfu_9959240292502883
Format:
1 online resource (272 p.)
Edition:
1st ed.
ISBN:
1-280-06047-6
,
9786613519818
,
0-300-17258-3
Series Statement:
Clark studies in the visual arts
Note:
A related conference, "Art History and Diaspora : Genealogies, Theories, Practices," was held Apr. 25-26, 2008 at the Clark Art Institute, Williamstown, Mass.
,
Cover -- Contents -- Introduction -- Part One: Mapping Migration -- The Migrant's Time -- The Art of Displacement: Mona Hatoum's Logic of Irreconcilables -- Erase and Rewind: When Does Art History in the Black Diaspora Actually Begin? -- Globalization, Modernity, and the Avant-Garde -- Part Two: Dialectics of Displacement -- Migration, Law, and the Image: Beyond the Veil of Ignorance -- From Diaspora to Exile: Black Women Artists in 1960s and 1970s Europe -- A Building with Many Speakers: Turkish "Guest Workers" and Alvaro Siza's Bonjour Tristesse Housing for IBA-Berlin -- Sea Dreams: Isaac Julien's Western Union: Small Boats -- Locating World Art -- Part Three: Modes of Engagement -- Cosmopolitanism Assemblages Art -- Zarina Hashmi and the Arts of Dispossession -- Flash in the East, Flash in the West -- Running the Earth: Jun Nguyen-Hatsushiba's Breathing is Free: 12,756.3 -- Transaesthetics in the Photographs of Shirin Neshat -- Contributors.
,
English
Additional Edition:
ISBN 0-300-13414-2
Language:
English
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