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  • 1
    UID:
    gbv_1675842868
    Format: x, 344 Seiten , 30 cm
    ISBN: 9780300243475
    Content: Defining meaning and value in contemporary Islamic Art /H.E. Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani --Islamic Art Now and Then /Linda Komaroff --Art and Image /Venetia Porter --Gender, Power, and Tradition /Lalla Essaydi --Hub Wahad: On Finding Inspiration in a Community of Nomads /Hassan Hajjaj in conversation with Alice Planel --Reclaiming Indo-Persian Miniature Painting. Reclaiming History: A Feminist Story /Shahzia Sikander in conversation with Rafia Zakaria --A Shah, a Russian, and My Grandfather: Iranian Photography, a History /Newsha Tavakolvian --Contemporary or Modern Islamic Art? /H.R.H. Princess Wijdan Fawaz Al Hashemi --Whose Past is it Anyway? Contemporary Architecture and the Past in the Lands of Islam /Mohammad al-Asad --Contemporary Trajectories: Iraqi Art in Context /Nada Shabout --Iranian Cinema Today: An Ode to the Past and New Directions in the Future? /Nacim Pak-Shiraz --"Islamic" Art in Southeast Asia and Australia: Past, Present, and Future /Stefano Carboni --Question and Answer Panels: Hamad bin Khalifa Symposium on Islamic Art, Virginia Museum of Arts /transcribed by Sarah Kleinman.
    Content: "Islamic art can be a challenging term in an ever-changing art world. Through the exploration of a wide array of media-from painting, sculpture, and photography to video and multimedia-an internationally renowned group of scholars, collectors, artists, and curators tackles questions such as whether the art has to come from the Middle East, whether it must have a religious component, and, indeed, whether the work of art must be made by a Muslim. Based on a series of papers presented at the 7th Biennial Hamad bin Khalifa Symposium on Islamic Art in 2017, the essays in this volume grapple with these questions from a range of viewpoints. Taken together, these texts, including beautiful illustrations of major works by contemporary artists from the Muslim world, invoke a lively discussion of how the arts of the Islamic lands link the past with the present and the future."--Publisher description
    Note: "This volume presents the written versions of the papers presented Islamic Art: Past, Present, and Future, the seventh Biennial Hamad bin Khalifa Symposium on Islamic Art and Culture, which was held at the Virginia Museum of Art in Richmond, Virginia, on November 2-4, 2017"--Introduction , Literaturverzeichnis: Seite 331-335
    Language: English
    RVK:
    Keywords: Islamische Kunst ; Geschichte 2000-2017 ; Bildband ; Konferenzschrift
    Author information: Blair, Sheila 1948-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Yale : Yale University Press
    UID:
    kobvindex_ZLB34262245
    Format: 360 Seiten
    ISBN: 9780300243475
    Series Statement: The Biennial Hamad bin Khalifa Symposium on Islamic Art
    Content: In a world where the making and consumption of art is constantly changing, the term "Islamic art" can be hard to define. Through the exploration of a wide array of media-from painting, sculpture, and photography to video and multimedia-an internationally renowned group of scholars, collectors, artists, and curators tackles questions such as whether the art has to come from the Middle East, whether it must have a religious component, and, indeed, whether the work of art must be made by a Muslim. Based on a series of papers presented at the 7th Biennial Hamad bin Khalifa Symposium on Islamic Art in 2017, the essays in this volume grapple with these questions from a range of viewpoints. These texts-including beautiful illustrations of major works by contemporary artists from the Muslim world, including Newsha Tavakolian, Shahzia Sikander, Hassan Hajjaj and Lalla Essaydi-invoke a lively discussion of how the arts of the Islamic lands link the past with the present and the future.
    Note: Englisch
    Language: English
    Author information: Blair, Sheila
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Image
    Image
    New Haven ; London :Yale University Press in association with Qatar Foundation, Virginia Commonwealth University and Virginia Commonwealth University School of the Arts in Qatar,
    UID:
    almafu_BV045949352
    Format: x, 344 Seiten : , Illustrationen ; , 30 cm.
    Edition: First published
    ISBN: 978-0-300-24347-5
    Content: "Islamic art can be a challenging term in an ever-changing art world. Through the exploration of a wide array of media-from painting, sculpture, and photography to video and multimedia-an internationally renowned group of scholars, collectors, artists, and curators tackles questions such as whether the art has to come from the Middle East, whether it must have a religious component, and, indeed, whether the work of art must be made by a Muslim. Based on a series of papers presented at the 7th Biennial Hamad bin Khalifa Symposium on Islamic Art in 2017, the essays in this volume grapple with these questions from a range of viewpoints. Taken together, these texts, including beautiful illustrations of major works by contemporary artists from the Muslim world, invoke a lively discussion of how the arts of the Islamic lands link the past with the present and the future."--Publisher description
    Note: Based on a series of papers presented at the seventh annual Biennial Hamad bin Khalifa Symposium on Islamic Art and Culture in 2017
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    Keywords: Islamische Kunst ; Konferenzschrift
    Author information: Blair, Sheila 1948-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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