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  • 1
    Online-Ressource
    Online-Ressource
    The Routledge handbook of philosophy and improvisation in the arts / (2022)
    New York, NY ; : Routledge,
    Details
    UID:
    almahu_9949385249702882
    Umfang: 1 online resource (xviii, 737 pages) : , illustrations
    ISBN: 9781003179443 , 1003179444 , 100039784X , 9781000397802 , 1000397807 , 9781000397840
    Serie: Routledge handbooks in philosophy
    Inhalt: Over the last few decades, the notion of improvisation has enriched and dynamized research on traditional philosophies of music, theatre, dance, poetry, and even visual art. This Handbook offers readers an authoritative collection of accessible articles on the philosophy of improvisation, synthesizing and explaining various subjects and issues from the growing wave of journal articles and monographs in the field. Its 48 chapters, written specifically for this volume by an international team of scholars, are accessible for students and researchers alike.
    Weitere Ausg.: Print version: Bertinetto, Alessandro The Routledge Handbook of Philosophy and Improvisation in the Arts Milton : Taylor & Francis Group,c2021 ISBN 9780367203641
    Sprache: Englisch
    Fachgebiete: Philosophie
    RVK:
    CC 6800
    Schlagwort(e): Electronic books. ; Aufsatzsammlung
    DOI: 10.4324/9781003179443
    URL: https://www.taylorfrancis.com/books/9781003179443
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online-Ressource
    Open Access Wunsch
    Stabi Berlin
    HU Berlin
  • 2
    Online-Ressource
    Online-Ressource
    Chapter 28 The Risk of Improvised Music : An Ethnographic Approach (2021)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_179457431X
    Umfang: 1 Online-Ressource (17 p.)
    ISBN: 9780367203641 , 9781032016498
    Inhalt: The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered
    Anmerkung: English
    In: The Routledge Handbook of Philosophy and Improvisation in the Arts
    Sprache: Englisch
    URL: kostenfrei
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    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 3
    Online-Ressource
    Online-Ressource
    Chapter 22 Competing Ontologies of Musical Improvisation : A Medieval Perspective (2021)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1794573674
    Umfang: 1 Online-Ressource (14 p.)
    ISBN: 9781032016498 , 9780367203641
    Inhalt: The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered
    Anmerkung: English
    Sprache: Englisch
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 4
    Online-Ressource
    Online-Ressource
    Chapter 27 Repeatability versus Unrepeatability in Free Improvisation (2021)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1794574336
    Umfang: 1 Online-Ressource (14 p.)
    ISBN: 9780367203641 , 9781032016498
    Inhalt: The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered
    Anmerkung: English
    In: The Routledge Handbook of Philosophy and Improvisation in the Arts
    Sprache: Englisch
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 5
    Online-Ressource
    Online-Ressource
    Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century (2021)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1794575952
    Umfang: 1 Online-Ressource (13 p.)
    ISBN: 9780367203641 , 9781032016498
    Inhalt: The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered
    Anmerkung: English
    In: The Routledge Handbook of Philosophy and Improvisation in the Arts
    Sprache: Englisch
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Stabi Berlin
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  • 6
    Online-Ressource
    Online-Ressource
    Chapter 37 Improv, Stand-Up, and Comedy (2021)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1794575944
    Umfang: 1 Online-Ressource (15 p.)
    ISBN: 9780367203641 , 9781032016498
    Inhalt: The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered
    Anmerkung: English
    In: The Routledge Handbook of Philosophy and Improvisation in the Arts
    Sprache: Englisch
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 7
    Buch
    Buch
    The Routledge handbook of philosophy and improvisation in the arts / (2022)
    New York ; London :Routledge, Taylor & Francis Group,
    Details
    UID:
    almahu_BV047375903
    Umfang: xviii, 737 Seiten : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-367-20364-1 , 978-1-032-01649-8
    Serie: Routledge handbooks in philosophy
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-003-17944-3
    Sprache: Englisch
    Fachgebiete: Philosophie
    RVK:
    CC 6900
    Schlagwort(e): Improvisation ; Kunst ; Design ; Musik ; Philosophie ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Mehr zum Autor: Bertinetto, Alessandro 1971-
    Mehr zum Autor: Ruta, Marcello
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  • 8
    Online-Ressource
    Online-Ressource
    The Routledge Handbook of Philosophy and Improvisation in the Arts (2021)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1794574328
    Umfang: 1 Online-Ressource
    ISBN: 9781003179443 , 9780367203641 , 9781032016498 , 9781003179443
    Inhalt: The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered
    Anmerkung: English
    Sprache: Englisch
    URL: teilw. kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    UB Potsdam
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