UID:
almahu_9949386165002882
Umfang:
1 online resource (xvi, 278 pages) :
,
illustrations, maps.
ISBN:
9780429262500
,
0429262507
,
9780429562044
,
0429562047
,
9780429557576
,
0429557574
,
0429553102
,
9780429553103
Serie:
Routledge advances in art and visual studies
Inhalt:
"This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors will demonstrate that abstraction is not primarily an artistic phenomenon, but rather arose from human beings' desire to imagine, understand, and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualisation, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy, and aesthetics"--
Anmerkung:
Should abstract images have their "own" iconology? / Krešimir Purgar -- The founding of abstraction : Wilhelm Worringer and the avant-garde / Anselm Treichler -- The visualization of temporality in the abstract paintings of Barnett Newman / Claude Cernuschi -- Digital abstraction : interface between electronic media art and data visualization / Birgit Mersmann -- Reality effect of (abstract) maps in post-digital era / Ana Peraica
Weitere Ausg.:
Print version: The iconology of abstraction New York : Routledge, 2020. ISBN 9780367206048
Sprache:
Englisch
Schlagwort(e):
Electronic books.
;
Electronic books.
URL:
https://www.taylorfrancis.com/books/9780429262500
Bookmarklink