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  • 1
    Online Resource
    Online Resource
    London ; : Routledge, Taylor & Francis Group,
    UID:
    almahu_9949385277902882
    Format: 1 online resource (275 pages).
    ISBN: 1000289524 , 9781000289527 , 9780429281655 , 042928165X , 9781000289541 , 1000289540 , 9781000289534 , 1000289532
    Series Statement: SOAS studies in music
    Content: The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution - music - has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.
    Note: Music in Iberia and the Mashriq up to 711. Music in Iberia to 711 ; Arab music to 711 -- Andalusi Music to the Fall of the Umayyad Caliphate, 711-1031. From the conquest to the reign of 'Abd al-Raḥmān II, 711-822 ; 'Abd al-Raḥmān II and Ziryāb, 822-858 ; The final years of the Caliphate, 858-1031 -- Music in the Medieval Mediterranean. Instrumentarium ; Music Theory and Performance Practices ; The Musical Revolution in al-Andalus. From Ṣawt to Muwashshaḥ ; Hebrew Muwashshaḥāt -- Post-Umayyad Iberia (11th-17th c.). The Era of the 'Petty Kings,' Almoravids, and Almohads (11th-12th c.) ; The Age of Minstrels (13th -15th c.) ; Music of the Moriscos (16th-17th c.)
    Additional Edition: Print version: ISBN 9781000289541
    Additional Edition: Print version: ISBN 0367243148
    Additional Edition: ISBN 9780367243142
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Music.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV047169201
    Format: xiii, 260 Seiten , Illustrationen
    ISBN: 9780367243142
    Series Statement: SOAS studies in music
    Content: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Note: Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.)
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk ISBN 978-0-429-28165-5
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Spanien ; al- Andalus ; Musik ; Musikhandschrift ; Rezeption ; Geschichte 711-1610
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    London ; : Routledge, Taylor & Francis Group,
    UID:
    edoccha_9961443342902883
    Format: 1 online resource (275 pages).
    ISBN: 0-429-28165-X , 1-000-28952-4
    Series Statement: SOAS studies in music
    Content: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades; what may arguably be its most enduring contribution - music - has been almost entirely neglected.The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Note: Music in Iberia and the Mashriq up to 711. Music in Iberia to 711 ; Arab music to 711 -- Andalusi Music to the Fall of the Umayyad Caliphate, 711-1031. From the conquest to the reign of 'Abd al-Raḥmān II, 711-822 ; 'Abd al-Raḥmān II and Ziryāb, 822-858 ; The final years of the Caliphate, 858-1031 -- Music in the Medieval Mediterranean. Instrumentarium ; Music Theory and Performance Practices ; The Musical Revolution in al-Andalus. From Ṣawt to Muwashshaḥ ; Hebrew Muwashshaḥāt -- Post-Umayyad Iberia (11th-17th c.). The Era of the 'Petty Kings,' Almoravids, and Almohads (11th-12th c.) ; The Age of Minstrels (13th -15th c.) ; Music of the Moriscos (16th-17th c.)
    Additional Edition: ISBN 0-367-24314-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    London ; : Routledge, Taylor & Francis Group,
    UID:
    edocfu_9961443342902883
    Format: 1 online resource (275 pages).
    ISBN: 0-429-28165-X , 1-000-28952-4
    Series Statement: SOAS studies in music
    Content: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades; what may arguably be its most enduring contribution - music - has been almost entirely neglected.The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Note: Music in Iberia and the Mashriq up to 711. Music in Iberia to 711 ; Arab music to 711 -- Andalusi Music to the Fall of the Umayyad Caliphate, 711-1031. From the conquest to the reign of 'Abd al-Raḥmān II, 711-822 ; 'Abd al-Raḥmān II and Ziryāb, 822-858 ; The final years of the Caliphate, 858-1031 -- Music in the Medieval Mediterranean. Instrumentarium ; Music Theory and Performance Practices ; The Musical Revolution in al-Andalus. From Ṣawt to Muwashshaḥ ; Hebrew Muwashshaḥāt -- Post-Umayyad Iberia (11th-17th c.). The Era of the 'Petty Kings,' Almoravids, and Almohads (11th-12th c.) ; The Age of Minstrels (13th -15th c.) ; Music of the Moriscos (16th-17th c.)
    Additional Edition: ISBN 0-367-24314-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    London ; : Routledge, Taylor & Francis Group,
    UID:
    almahu_9949706497802882
    Format: 1 online resource (275 pages).
    ISBN: 0-429-28165-X , 1-000-28952-4
    Series Statement: SOAS studies in music
    Content: "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades; what may arguably be its most enduring contribution - music - has been almost entirely neglected.The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"--
    Note: Music in Iberia and the Mashriq up to 711. Music in Iberia to 711 ; Arab music to 711 -- Andalusi Music to the Fall of the Umayyad Caliphate, 711-1031. From the conquest to the reign of 'Abd al-Raḥmān II, 711-822 ; 'Abd al-Raḥmān II and Ziryāb, 822-858 ; The final years of the Caliphate, 858-1031 -- Music in the Medieval Mediterranean. Instrumentarium ; Music Theory and Performance Practices ; The Musical Revolution in al-Andalus. From Ṣawt to Muwashshaḥ ; Hebrew Muwashshaḥāt -- Post-Umayyad Iberia (11th-17th c.). The Era of the 'Petty Kings,' Almoravids, and Almohads (11th-12th c.) ; The Age of Minstrels (13th -15th c.) ; Music of the Moriscos (16th-17th c.)
    Additional Edition: ISBN 0-367-24314-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    Oxford : Taylor & Francis
    UID:
    gbv_1885768052
    Format: 1 Online-Ressource (272 p.)
    ISBN: 9780429281655 , 9781000289527 , 9780367243142 , 9781000289534 , 9781000289541 , 9780367653613
    Content: The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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