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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1778405088
    Format: 1 Online-Ressource (16 p.)
    ISBN: 9780367423261 , 9781032117867
    Series Statement: Routledge Studies in Linguistics
    Content: A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What’s Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs’ songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people’s lands. The book demonstrates the striking compatibility between Bakhtin’s theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1793689172
    Format: 1 online resource.
    ISBN: 9780367823559 , 0367823551 , 9781000465716 , 1000465713 , 9781000465655 , 1000465659
    Series Statement: Routledge studies in linguistics
    Content: Constructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs -- Message music and meaning -- Mikhail Bakhtin : dialogism, discourse, and ethics -- The social, political, and cultural context -- Politics, protest, and resistance in Herbs' What's Be Happen? -- Narratives of experience and identity -- Taking sides : Herbs' album cover -- Coda.
    Additional Edition: ISBN 9780367423261
    Additional Edition: ISBN 9781032117867
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780367423261
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_9949387073802882
    Format: 1 online resource : , illustrations.
    ISBN: 9780367823559 , 0367823551 , 1000465713 , 9781000465655 , 1000465659 , 9781000465716
    Series Statement: Routledge studies in linguistics ; 33
    Content: "A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What's Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs' songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people's lands. The book demonstrates the striking compatibility between Bakhtin's theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region"--
    Note: Constructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs -- Message music and meaning -- Mikhail Bakhtin : dialogism, discourse, and ethics -- The social, political, and cultural context -- Politics, protest, and resistance in Herbs' What's Be Happen? -- Narratives of experience and identity -- Taking sides : Herbs' album cover -- Coda.
    Additional Edition: Print version: Turner, Elizabeth Discourse of protest, resistance and social commentary in reggae music New York : Routledge, 2021 ISBN 9780367423261
    Language: English
    Keywords: Electronic books. ; Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_1778404901
    Format: 1 Online-Ressource
    ISBN: 9780367423261 , 9781032117867 , 9780367823559
    Content: A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What’s Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs’ songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people’s lands. The book demonstrates the striking compatibility between Bakhtin’s theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region
    Note: English
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    almahu_BV047643696
    Format: 141 Seiten.
    ISBN: 978-0-367-42326-1
    Series Statement: Routledge studies in linguistics 33
    Content: Constructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs -- Message music and meaning -- Mikhail Bakhtin : dialogism, discourse, and ethics -- The social, political, and cultural context -- Politics, protest, and resistance in Herbs' What's Be Happen? -- Narratives of experience and identity -- Taking sides : Herbs' album cover -- Coda.
    Content: "A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What's Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs' songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people's lands. The book demonstrates the striking compatibility between Bakhtin's theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780367823559
    Additional Edition: ISBN 9780367823559
    Additional Edition: Erscheint auch als Online-Ausgabe Turner, Elizabeth (Elizabeth Anne) Discourse of protest, resistance and social commentary in reggae music New York : Routledge, 2021 ISBN 978-0-367-82355-9
    Language: English
    Subjects: General works
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
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