Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Library
Years
Person/Organisation
Keywords
Access
  • 1
    Online Resource
    Online Resource
    Ann Arbor :University of Michigan Press,
    UID:
    almahu_9948325567102882
    Format: xv, 266 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Uniform Title: Toneelspelen in de tegenwoordige tijd.
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    UID:
    gbv_1003707599
    Format: 1 Online-Ressource (xv, 266 pages) , illustrations
    Edition: Online-Ausg.
    ISBN: 0472117947 , 0472035037 , 0472028561 , 1280880481 , 9780472117949 , 9780472035038 , 9780472028566 , 9781280880483
    Uniform Title: Toneelspelen in de tegenwoordige tijd
    Content: Acting in Real Time by renowned Dutch director and acting teacher Paul Binnerts describes his method for Real-Time Theater, which authorizes actors to actively determine how a story is told--they are no longer mere vehicles for delivering the playwright's message or the director's interpretations of the text. This level of involvement allows actors to deepen their grasp of the material and amplify their stage presence, resulting in more engaged and nuanced performances. The method offers a postmodern challenge to Stanislavski and Brecht, whose theories of stage realism dominated the twentieth century. In providing a new way to consider the actor's presence on stage, Binnerts advocates breaking down the "fourth wall" that separates audiences and actors and has been a central tenet of acting theories associated with realism. In real-time theater, actors forgo attempts to become characters and instead understand their function to be storytellers who are fully present on stage and may engage the audience and their fellow actors directly. Paul Binnerts analyzes the ascendance of realism as the dominant theater and acting convention and how its methods can hinder the creation of a more original, imaginative theater. His description of the techniques of real-time theater is illuminated by practical examples from his long experience in the stage. The book then offers innovative exercises that provide training in the real-time technique, including physical exercises that help the actor become truly present in performance. Acting in Real Time also includes a broad overview of the history of acting and realism's relationship to the history of theater architecture, offering real-time theater as an alternative. The book will appeal to actors and acting students, directors, stage designers, costume designers, lighting designers, theater historians, and dramaturgs
    Content: Introduction: human behavior is the core business of theater -- Premises and inspirations. The dilemmas of the actor: who is he and what is his task? -- The heart and soul of the actor: Stanislavski's approach -- The actor as eyewitness to social processes: Brecht's approach -- Acting in real time. The technique -- The workshop -- The exercises -- Real-time acting and theater in historical perspective -- Origins and conventions -- New conventions and innovations
    Note: Includes bibliographical references (pages 259-266) , English
    Additional Edition: Erscheint auch als Druck-Ausgabe Binnerts, Paul Acting in real time Ann Arbor : University of Michigan Press, 2012
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Author information: Binnerts, Paul 1938-
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9780472030538?
Did you mean 9780472035083?
Did you mean 9780472030378?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages