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  • 1
    Online Resource
    Online Resource
    Theater : Theory/Text/Performance: Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde (2012)
    Ann Arbor : University of Michigan Press
    Details
    UID:
    gbv_1696198291
    Format: 1 online resource (235 pages)
    ISBN: 9780472029006
    Series Statement: Theater: Theory/Text/Performance Ser.
    Content: Sheds light on the critical role that women artists have played in the evolution of the American avant-garde.
    Content: Intro -- Contents -- Chapter One: Toward a Feminist Historiography of American Avant-Garde Performance: Theories and Contexts -- Chapter Two: Nude Descending Bleecker Street: Baroness Elsa von Freytag-Loringhoven and Performing Gender in New York Dada -- Chapter Three: Avant-Garde Performance, Collage Aesthetics, and Feminist Historiographies in Gertrude Stein's 'The Mother of Us All' -- Chapter Four: Between Material and Matrix: Yoko Ono's 'Cut Piece' and the Unmaking of Collage -- Chapter Five: Between Dialectics, Decorum, and Collage Sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Chapter Six: Forget Fame: Valerie Solanas, the Simplest Surrealist Act, and the (Re)Assertion of Avant-Garde Priorities -- Conclusion: Collage and Community -- Notes -- Index.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780472035205
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780472035205
    Language: English
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=3415066
    Library Location Call Number Volume/Issue/Year Availability
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    MPI Bildungsforschung
  • 2
    Book
    Book
    Cutting performances : collage events, feminist artists, and the American avant-garde (2012)
    Ann Arbor : University of Michigan Press
    Details
    UID:
    gbv_1602818584
    Format: ix, 222 p. , 23 cm
    ISBN: 9780472117185 , 0472035207 , 9780472035205
    Series Statement: Theater
    Content: Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's The mother of us all -- Between material and matrix: Yoko Ono's Cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community
    Note: Includes bibliographical references (p. 183-214) and index
    Additional Edition: ISBN 9780472029006
    Language: English
    Keywords: USA ; Experimentelles Theater ; Performance ; Frauenkunst ; Geschichte 1910-2000 ; USA ; Experimentelles Theater ; Frauentheater
    URL: Inhaltsverzeichnis
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    Book
    UB Potsdam get availability status
  • 3
    Online Resource
    Online Resource
    Cutting performances : collage events, feminist artists, and the American avant-garde (2012)
    Ann Arbor :University of Michigan Press,
    Details
    UID:
    edocfu_9959227298102883
    Format: 1 online resource (235 p.)
    Edition: 1st pbk. ed.
    ISBN: 1-280-88049-X , 9786613721808 , 0-472-02900-2
    Series Statement: Theater--theory/text/performance
    Content: Sheds light on the critical role that women artists have played in the evolution of the American avant-garde.
    Note: Description based upon print version of record. , Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community. , English
    Additional Edition: ISBN 0-472-03520-7
    Language: English
    DOI: 10.3998/mpub.359575
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    FU Berlin
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