Format:
Online-Ressource (1 online resource (320 p.))
,
digital, PDF file(s).
ISBN:
9780511470257
Series Statement:
Cambridge Readings in the Literature of Music
Content:
In this second volume of nineteenth-century music analyses, Ian Bent provides a further selection of newly translated writings of nineteenth-century music critics and theorists, including composers such as Wagner, Schumann and Berlioz, and critics such as A. B. Marx and E. T. A. Hoffmann. Where Volume I, on Fugue, Form and Style, presented nineteen analyses of a technical nature, all the writing here involves a metaphorical style of verbalised description, some pure examples, and others hybrid forms mixed with technical analysis. The music analysed is amongst the best-known in the repertoire: Wagner writes on Beethoven's Ninth Symphony, E. T. A. Hoffmann on the Fifth, Schumann writes on Berlioz, and Berlioz on Meyerbeer. Professor Bent presents each analysis with its own detailed introduction and each is amplified by supporting information in footnotes.
Note:
Title from publishers bibliographic system (viewed on 18 Feb 2013)
Additional Edition:
ISBN 9780521461832
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 9780521461832
Additional Edition:
Erscheint auch als Druck-Ausgabe Music analysis in the nineteenth century ; 2: Hermeneutic approaches Cambridge : Cambridge Univ. Press, 1994 ISBN 0521461839
Language:
English
Keywords:
Musikalische Analyse
;
Geschichte 1800-1900
DOI:
10.1017/CBO9780511470257
URL:
Volltext
(lizenzpflichtig)
URL:
Volltext
(lizenzpflichtig)
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