UID:
almafu_9960119620702883
Format:
1 online resource (xii, 276 pages) :
,
digital, PDF file(s).
ISBN:
0-511-88841-4
,
0-511-47038-X
Series Statement:
Cambridge studies in French ; 55
Content:
Between 1690 and 1715, well over one hundred literary fairy tales appeared in France, two-thirds of them written by women. This 1996 book explores why fashionable adults were attracted to this new literary genre and, integrating socio-historical, structuralist, and post-structuralist approaches, considers how it became a medium for reconceiving literary and historical discourses of sexuality and gender. The first part of the book considers how the marvellous is used to legitimize the genre, to exemplify theories of 'modern' culture, and to reaffirm women's potential as writers. The second part examines how specific groups of tales both reiterate and unsettle late seventeenth-century discourses of love, masculinity and femininity through conventions such as the romantic quest, the marriage closure, chivalric heroes and good and evil fairies.
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
1. Marvelous realities: toward an understanding of the merveilleux -- 2. Reading (and) the ironies of the marvelous -- 3. The marvelous in context: the place of the contes de fees in late seventeenth-century France -- 4. Quests for love: visions of sexuality -- 5. (De)mystifications of masculinity: fictions of transcendence -- 6. Imagining femininity: binarity and beyond.
,
English
Additional Edition:
ISBN 0-521-02627-X
Additional Edition:
ISBN 0-521-55005-X
Language:
English
URL:
Volltext
(lizenzpflichtig)
URL:
https://doi.org/10.1017/CBO9780511470387
Bookmarklink
