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  • 1
    Book
    Book
    New York, NY [u.a.] : Cambridge Univ. Press
    UID:
    gbv_549340319
    Format: X, 294 S , zahlr. Notenbeisp. , 26 cm
    Edition: 1. publ.
    ISBN: 9780521878432
    Note: Includes bibliographical references (p, [271]-286) and index , Versification and melodic aesthetics. Rhythm and stanza in French and Italian librettos ; French and Italian melodic aesthetics and practice ca. 1830-1870 ; Episode: Design, middleground rhythm, and phrase -- French melody in Verdi's operas. Jérusalem and its influence on the subsequent Italian operas ; Les Vêpres siciliennes and its influence on the subsequent Italian operas ; Don Carlos and after.
    Additional Edition: Erscheint auch als Online-Ausgabe Giger, Andreas Verdi and the French Aesthetic Cambridge : Cambridge University Press, 2008 ISBN 9780511481390
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Verdi, Giuseppe 1813-1901 ; Frankreich ; Oper ; Frankreich ; Oper ; Geschichte 1800-1900 ; Verdi, Giuseppe 1813-1901 ; Frankreich ; Musikästhetik
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883482797
    Format: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511481390
    Content: Focusing on Verdi's French operas, Giger shows how the composer acquired an ever better understanding of the various approaches to French versification while gradually bringing his works in line with French melodic aesthetic. In his first French opera, Jérusalem, Verdi treated the text in an overly cautious manner, trying to avoid prosodic mistakes; in Les Vêpres siciliennes he began to apply more freedom, scanning the verses against some prosodic accents to convey the lightheartedness of a melody; and in Don Carlos he finally drew on the entire palette of prosodic interpretations. Most of Verdi's melodic accomplishments in the French operas carried over into the subsequent Italian ones, setting the stage for what later would be called operatic verismo. Drawing attention to the significance of the libretto for the development of nineteenth-century French and Italian opera, this text illustrates Verdi's gradual mastery of the challenges he faced, and their historical significance
    Content: Versification and melodic aesthetics. Rhythm and stanza in French and Italian librettos ; French and Italian melodic aesthetics and practice ca. 1830-1870 ; Episode: Design, middleground rhythm, and phrase -- French melody in Verdi's operas. Jérusalem and its influence on the subsequent Italian operas ; Les Vêpres siciliennes and its influence on the subsequent Italian operas ; Don Carlos and after
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521878432
    Additional Edition: ISBN 9780521349543
    Additional Edition: Erscheint auch als Druck-Ausgabe Giger, Andreas, 1965 - Verdi and the French aesthetic New York, NY [u.a.] : Cambridge Univ. Press, 2008 ISBN 9780521878432
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521878432
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Verdi, Giuseppe 1813-1901 ; Italien ; Frankreich ; Oper ; Musikästhetik ; Verdi, Giuseppe 1813-1901 Don Carlos ; Verdi, Giuseppe 1813-1901 Les vêpres siciliennes ; Verdi, Giuseppe 1813-1901 I lombardi alla prima crociata ; Verdi, Giuseppe 1813-1901 Jérusalem
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947415125702882
    Format: 1 online resource (x, 294 pages) : , digital, PDF file(s).
    ISBN: 9780511481390 (ebook)
    Content: Focusing on Verdi's French operas, Giger shows how the composer acquired an ever better understanding of the various approaches to French versification while gradually bringing his works in line with French melodic aesthetic. In his first French opera, Jérusalem, Verdi treated the text in an overly cautious manner, trying to avoid prosodic mistakes; in Les Vêpres siciliennes he began to apply more freedom, scanning the verses against some prosodic accents to convey the lightheartedness of a melody; and in Don Carlos he finally drew on the entire palette of prosodic interpretations. Most of Verdi's melodic accomplishments in the French operas carried over into the subsequent Italian ones, setting the stage for what later would be called operatic verismo. Drawing attention to the significance of the libretto for the development of nineteenth-century French and Italian opera, this text illustrates Verdi's gradual mastery of the challenges he faced, and their historical significance.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Versification and melodic aesthetics. Rhythm and stanza in French and Italian librettos ; French and Italian melodic aesthetics and practice ca. 1830-1870 ; Episode: Design, middleground rhythm, and phrase -- French melody in Verdi's operas. Jérusalem and its influence on the subsequent Italian operas ; Les Vêpres siciliennes and its influence on the subsequent Italian operas ; Don Carlos and after.
    Additional Edition: Print version: ISBN 9780521878432
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York :Cambridge University Press,
    UID:
    edocfu_9959234674902883
    Format: 1 online resource (x, 294 pages) : , digital, PDF file(s).
    Edition: 1st ed.
    ISBN: 1-107-18342-1 , 1-281-75125-1 , 9786611751258 , 0-511-41459-5 , 0-511-41527-3 , 0-511-41298-3 , 0-511-41205-3 , 0-511-48139-X , 0-511-41390-4
    Content: Focusing on Verdi's French operas, Giger shows how the composer acquired an ever better understanding of the various approaches to French versification while gradually bringing his works in line with French melodic aesthetic. In his first French opera, Jérusalem, Verdi treated the text in an overly cautious manner, trying to avoid prosodic mistakes; in Les Vêpres siciliennes he began to apply more freedom, scanning the verses against some prosodic accents to convey the lightheartedness of a melody; and in Don Carlos he finally drew on the entire palette of prosodic interpretations. Most of Verdi's melodic accomplishments in the French operas carried over into the subsequent Italian ones, setting the stage for what later would be called operatic verismo. Drawing attention to the significance of the libretto for the development of nineteenth-century French and Italian opera, this text illustrates Verdi's gradual mastery of the challenges he faced, and their historical significance.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Versification and melodic aesthetics. Rhythm and stanza in French and Italian librettos ; French and Italian melodic aesthetics and practice ca. 1830-1870 ; Episode: Design, middleground rhythm, and phrase -- French melody in Verdi's operas. Jerusalem and its influence on the subsequent Italian operas ; Les Vepres siciliennes and its influence on the subsequent Italian operas ; Don Carlos and after. , English
    Additional Edition: ISBN 0-521-34954-0
    Additional Edition: ISBN 0-521-87843-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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