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  • 1
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    UID:
    gbv_883364905
    Umfang: Online-Ressource (1 online resource (416 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    ISBN: 9780511481987
    Serie: Music in the Twentieth Century no. 24
    Inhalt: No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874–1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas and scholars without understanding of the formidable musical technique are ill-equipped to understand the music with any profundity of thought. Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer and their impact on his ever-changing compositional style over the course of his remarkable career
    Inhalt: A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Weitere Ausg.: ISBN 9780521851664
    Weitere Ausg.: ISBN 9780521108348
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Cherlin, Michael Schoenberg's musical imagination Cambridge : Cambridge Univ. Press, 2007 ISBN 0521851661
    Weitere Ausg.: ISBN 9780521851664
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780521851664
    Sprache: Englisch
    Schlagwort(e): Schönberg, Arnold 1874-1951
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414406502882
    Umfang: 1 online resource (xvi, 397 pages) : , digital, PDF file(s).
    ISBN: 9780511481987 (ebook)
    Serie: Music in the twentieth century ; 24
    Inhalt: No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874–1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas and scholars without understanding of the formidable musical technique are ill-equipped to understand the music with any profundity of thought. Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer and their impact on his ever-changing compositional style over the course of his remarkable career.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg.
    Weitere Ausg.: Print version: ISBN 9780521851664
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    Cambridge ; : Cambridge University Press,
    UID:
    almafu_9959241353702883
    Umfang: 1 online resource (xvi, 397 pages) : , digital, PDF file(s).
    Ausgabe: 1st ed.
    ISBN: 0-511-28769-0 , 1-107-17611-5 , 1-280-91708-3 , 9786610917082 , 0-511-29027-6 , 0-511-32223-2 , 0-511-28967-7 , 0-511-48198-5 , 0-511-28835-2 , 0-511-28903-0
    Serie: Music in the 20th century
    Inhalt: No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874-1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas and scholars without understanding of the formidable musical technique are ill-equipped to understand the music with any profundity of thought. Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer and their impact on his ever-changing compositional style over the course of his remarkable career.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First string quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String trio : metaleptic Schoenberg. , English.
    Weitere Ausg.: Print version: Cherlin, Michael. Schoenberg's musical imagination. Cambridge ; New York : Cambridge University Press, 2007
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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