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  • 1
    Online Resource
    Online Resource
    Cambridge, U.K. :Cambridge University Press,
    UID:
    almafu_9960119691902883
    Format: 1 online resource (xv, 232 pages) : , digital, PDF file(s).
    ISBN: 1-107-17296-9 , 0-511-37020-2 , 0-511-48199-3
    Series Statement: Cambridge composer studies
    Content: Michael Tippett (1905-98) was one of the major figures of British music in this century. This volume of essays provides the first substantial writing on the composer for over a decade and includes the work of established scholars as well as several new voices. Essays encompass a range of genres and style periods, but a number of recurring themes may be detected. Broadly speaking, the book moves between technical discussion focused on individual works and wider questions of context - the 'external' factors that shaped the composer's musical production such as his relationship to the past, his fascination with ancient Greece and his pursuit of the transcendent. What emerges from this book is a rich portrait of a composer whose work reflects the century's triumphs and tragedies with particular intensity and who, at the end of his composing career, was increasingly acknowledged by younger composers as a major influence and example.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra / , From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli / , "Is there a choice at all?" : King Priam and motives for analysis / , Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework / , Tippett, sequence and metaphor / , "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto / , Tippett's King Priam and "the tragic vision" / , English
    Additional Edition: ISBN 0-521-59205-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883349558
    Format: Online-Ressource (1 online resource (252 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511481994
    Series Statement: Cambridge Composer Studies
    Content: Michael Tippett (1905–98) was one of the major figures of British music in this century. This volume of essays provides the first substantial writing on the composer for over a decade and includes the work of established scholars as well as several new voices. Essays encompass a range of genres and style periods, but a number of recurring themes may be detected. Broadly speaking, the book moves between technical discussion focused on individual works and wider questions of context - the 'external' factors that shaped the composer's musical production such as his relationship to the past, his fascination with ancient Greece and his pursuit of the transcendent. What emerges from this book is a rich portrait of a composer whose work reflects the century's triumphs and tragedies with particular intensity and who, at the end of his composing career, was increasingly acknowledged by younger composers as a major influence and example
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , 1. "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra , 2. From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli , 3. "Is there a choice at all?" : King Priam and motives for analysis , 4. Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework , 5. Tippett, sequence and metaphor , 6. Tonal elements and their significance in Tippett's Sonata No. 3 for piano , 7. "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto , 8. Tippett's King Priam and "the tragic vision" , 9. Tippett at the millennium : a personal memoir , 10. Decline or renewal in late Tippett? : The Fifth String Quartet in perspective
    Additional Edition: ISBN 9780521592055
    Additional Edition: ISBN 9780521026833
    Additional Edition: Erscheint auch als Druck-Ausgabe Tippett studies Cambridge [u.a.] : Cambridge Univ. Press, 1999 ISBN 0521592054
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521592055
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Tippett, Michael 1905-1998 ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414294702882
    Format: 1 online resource (xv, 232 pages) : , digital, PDF file(s).
    ISBN: 9780511481994 (ebook)
    Series Statement: Cambridge composer studies
    Content: Michael Tippett (1905–98) was one of the major figures of British music in this century. This volume of essays provides the first substantial writing on the composer for over a decade and includes the work of established scholars as well as several new voices. Essays encompass a range of genres and style periods, but a number of recurring themes may be detected. Broadly speaking, the book moves between technical discussion focused on individual works and wider questions of context - the 'external' factors that shaped the composer's musical production such as his relationship to the past, his fascination with ancient Greece and his pursuit of the transcendent. What emerges from this book is a rich portrait of a composer whose work reflects the century's triumphs and tragedies with particular intensity and who, at the end of his composing career, was increasingly acknowledged by younger composers as a major influence and example.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , "Only half rebelling" : tonal strategies, folksong and "Englishness" in Tippett's Concerto for Double String Orchestra / , From pastiche to free composition : R.O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli / , "Is there a choice at all?" : King Priam and motives for analysis / , Tippett's Second Symphony, Stravinsky and the language of neoclassicism : towards a critical framework / , Tippett, sequence and metaphor / , "Significant gestures to the past" : formal processes and visionary moments in Tippett's Triple Concerto / , Tippett's King Priam and "the tragic vision" /
    Additional Edition: Print version: ISBN 9780521592055
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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