UID:
edocfu_9959231164602883
Format:
1 online resource (xi, 392 pages) :
,
digital, PDF file(s).
ISBN:
0521847469
,
1-107-15272-0
,
1-281-21793-X
,
9786611217938
,
0-511-13251-4
,
0-511-13282-4
,
0-511-20086-2
,
0-511-33136-3
,
0-511-48612-X
,
0-511-13228-X
Series Statement:
Cambridge studies in American theatre and drama ; 22
Content:
Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography.
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
Introduction: American identities and the transatlantic stage. -- Staging revolution at the margins of celebration. -- Revolution and unnatural identity in Crèvecoeur's "Landscapes" -- British author, American text: The Poor Soldier in the new republic. -- American author, British source: writing revolution in Murray's Traveller Returned. -- Patriotic interrogations: committees of safety in early American drama. -- Dunlap's queer André: versions of revolution and manhood. -- Coloring identities: race, religion, and the exotic. -- Susanna Rowson and the dramatized Muslim. -- James Nelson Barker and the stage American Native. -- American stage Irish in the early republic. -- Black theatre, white theatre, and the stage African. -- Theatre, culture, and reflected identity. -- Tales of the Philadelphia Theatre: Ormond, national performance, and supranational identity. -- A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800. -- After The Contrast: Tyler, civic virtue, and the Boston stage.
,
English
Additional Edition:
ISBN 0-521-06668-9
Additional Edition:
ISBN 0-521-84746-X
Language:
English
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