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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414091902882
    Format: 1 online resource (xvi, 265 pages) : , digital, PDF file(s).
    ISBN: 9780511613555 (ebook)
    Series Statement: Musical performance and reception
    Content: Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015).
    Additional Edition: Print version: ISBN 9780521813525
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883327880
    Format: Online-Ressource (1 online resource (284 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511613555
    Series Statement: Musical Performance and Reception
    Content: Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521813525
    Additional Edition: ISBN 9780521013581
    Additional Edition: Erscheint auch als Druck-Ausgabe Butt, John, 1960 - Playing with history Cambridge [u.a.] : Cambridge Univ. Press, 2002 ISBN 0521013585
    Additional Edition: ISBN 0521813522
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521813525
    Language: English
    Keywords: Historische Musikpraxis
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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