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  • 1
    Online Resource
    Online Resource
    Oakland :University of California Press, | Berkeley, CA :University of California Press,
    UID:
    almahu_9948190383602882
    Format: 1 online resource (xv, 304 pages) : , illustrations (some color), map
    Edition: 1st ed.
    ISBN: 0-520-30057-2
    Content: "Revolutionary Bodies is the first primary source-based history of concert dance in the People's Republic of China. Combining over a decade of ethnographic and archival research, it analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Emily Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China's dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author"--Provided by publisher.
    Note: Introduction : Locating Chinese dance : bodies in place, history, and genre -- From Trinidad to Beijing : Dai Ailian and the beginnings of Chinese dance -- Experiments in form : creating dance in the early People's Republic -- Performing a socialist nation : the golden age of Chinese dance -- A revolt from within : contextualizing revolutionary ballet -- The return of Chinese dance : socialist continuity post Mao -- Inheriting the socialist legacy : Chinese dance in the twenty-first century. , In English.
    Additional Edition: ISBN 0-520-97190-6
    Language: English
    Subjects: General works
    RVK:
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Berkeley :University of California Press,
    UID:
    almahu_9949863548802882
    Format: 1 online resource (324 pages)
    Edition: 1st ed.
    ISBN: 9780520971905
    Content: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)--a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries. Learn more at the TOME website, available at: openmonographs.org. Revolutionary Bodies is the first English-language primary source-based history of concert dance in the People's Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China's dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author.
    Note: Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Illustrations and Audiovisual Media -- Acknowledgments -- Introduction: Locating Chinese Dance -- 1. From Trinidad to Beijing -- 2. Experiments in Form -- 3. Performing a Socialist Nation -- 4. A Revolt from Within -- 5. The Return of Chinese Dance -- 6. Inheriting the Socialist Legacy -- Glossary of Chinese Terms -- Notes and References -- Index.
    Additional Edition: Print version: Wilcox, Emily Revolutionary Bodies Berkeley : University of California Press,c2018 ISBN 9780520300576
    Language: English
    Keywords: Electronic books.
    URL: Cover
    URL: Cover
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    Oakland : University of California Press
    UID:
    gbv_1778510264
    Format: 1 Online-Ressource (324 p.)
    ISBN: 9780520300576
    Content: This book examines the history of concert dance in China from 1935 to 2015, with a focus on Chinese dance and its relationship to revolutionary performance culture in PRC history. The book argues that Chinese dance, not revolutionary ballet, was the primary legacy of Maoist dance research and innovation. Showing the relationship between dance and politics, it discusses dance developments during the War of Resistance Against Japan, the Chinese Civil War, the Korean War, the Great Leap Forward, the Cultural Revolution, the post-Mao era, and the period of One Belt One Road. The book emphasizes transnational exchange and highlights the contributions of immigrant and ethnic minority women, such as Chinese Trinidadian dancer Dai Ailian, Korean dancer Choe Seung-hui, Uyghur dancer Qemberxanim, Bai dancer Yang Liping, and Uyghur dancer Gulmira Mamat. It discusses the history of dance schools and companies such as the Beijing Dance Academy, the China National Opera and Dance Drama Theater, the Central Nationalities Song and Dance Ensemble, and the Xinjiang Arts Institute. Dance film is an important subject of analysis. Aesthetic experimentation is another key theme. Dance styles examined include Chinese classical dance, Chinese national folk dance (including ethnic minority dance and Han folk dance), Chinese military dance, New Dance, New Yangge, national dance drama, Dunhuang dance, peacock dance, and ballet. The book argues that kinesthetic nationalism, ethnic and spatial inclusivity, and dynamic inheritance are lasting features of Chinese dance
    Note: English
    Language: English
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  • 4
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    UID:
    gbv_1066615063
    Format: 1 Online-Ressource (322 Seiten)
    ISBN: 9780520300576 , 9780520971905
    Content: "Revolutionary Bodies is the first primary source-based history of concert dance in the People's Republic of China. Combining over a decade of ethnographic and archival research, it analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Emily Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China's dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author"--Provided by publiser
    Content: "Revolutionary Bodies is the first primary source-based history of concert dance in the People's Republic of China. Combining over a decade of ethnographic and archival research, it analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Emily Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China's dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author"--Provided by publiser
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780520300576
    Additional Edition: Erscheint auch als Druck-Ausgabe Wilcox, Emily, 1981- Revolutionary bodies Oakland, California : University of California Press, [2019]
    Language: English
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Oakland, California : University of California Press
    UID:
    gbv_1025743326
    Format: xv, 304 Seiten , Illustrationen
    ISBN: 9780520300576
    Content: "Revolutionary Bodies is the first primary source-based history of concert dance in the People's Republic of China. Combining over a decade of ethnographic and archival research, it analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Emily Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China's dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author"--Provided by publiser
    Content: Introduction : Locating Chinese dance : bodies in place, history, and genre -- From Trinidad to Beijing : Dai Ailian and the beginnings of Chinese dance -- Experiments in form : creating dance in the early People's Republic -- Performing a socialist nation : the golden age of Chinese dance -- A revolt from within : contextualizing revolutionary ballet -- The return of Chinese dance : socialist continuity post Mao -- Inheriting the socialist legacy : Chinese dance in the twenty-first century
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780520971905
    Additional Edition: Erscheint auch als Online-Ausgabe Wilcox, Emily, 1981- author Revolutionary bodies Oakland, California : University of California Press, [2019]
    Language: English
    Keywords: China ; Sozialismus ; Tanz
    Library Location Call Number Volume/Issue/Year Availability
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