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  • 1
    Book
    Book
    Where truth lies : digital culture and documentary media after 9/11 (2019)
    Oakland, California :University of California Press,
    Details
    UID:
    almafu_BV046194340
    Format: xvi, 227 Seiten : , Illustrationen, Karte.
    ISBN: 978-0-520-30093-4
    Note: Erscheint auch als Open Access bei De Gruyter
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-520-97211-7 10.1525/9780520972117
    Language: English
    Subjects: General works
    RVK:
    AP 14000
    Keywords: Neue Medien ; Soziale Unterstützung ; Massenkommunikation ; Neue Medien ; Dokumentarfilm ; Politik ; Falschmeldung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Where truth lies : digital culture and documentary media after 9/11 (2019)
    Oakland, California : University of California Press
    Details
    UID:
    gbv_1687262497
    Format: 1 Online-Ressource (xvi, 227 Seiten) , Illustrationen
    ISBN: 9780520972117
    Content: This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
    Note: Enthält Literaturangaben und ein Register , Open Access unrestricted online access , Preface -- 1. Seeing in the dark -- 2. "We see what we want to believe": archival logic and database aesthetics in the war films of Errol Morris -- 3. Networked audiences: MoveOn.org and Brave New Films -- 4. "States of exception": the paradox of virtual documentary representation -- 5. Technology, transparency, and the digital presidency -- 6. Post-truth politics: conspiracy media and the specter of "fake news". , Mode of access: Internet via World Wide Web.
    Additional Edition: ISBN 9780520300934
    Additional Edition: Erscheint auch als Druck-Ausgabe Fallon, Kris, 1976 - Where truth lies Oakland, California : University of California Press, 2019 ISBN 9780520300934
    Language: English
    Subjects: General works
    RVK:
    AP 14000
    Keywords: USA ; Neue Medien ; Soziale Unterstützung ; Massenkommunikation ; Geschichte 2000- ; Neue Medien ; Dokumentarfilm ; Politik ; Falschmeldung
    DOI: 10.1525/9780520972117
    URL: Open Access
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover
    URL: https://purl.org/coar/access_right/c_abf2
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Stabi Berlin
    UB Potsdam
    ZZF Potsdam
  • 3
    Online Resource
    Online Resource
    Where Truth Lies : Digital Culture and Documentary Media After 9/11. (2019)
    Berkeley :University of California Press,
    Details
    UID:
    almahu_9949319868302882
    Format: 1 online resource (244 pages)
    ISBN: 9780520972117
    Content: A free open access ebook is available upon publication. Learn more at www.luminosoa.org.   This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms--social networking and crowdsourcing, video games and virtual environments, big data and data visualization--and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
    Additional Edition: Print version: Fallon, Kris Where Truth Lies Berkeley : University of California Press,c2019 ISBN 9780520300934
    Language: English
    Keywords: Electronic books.
    URL: Click to View
    URL: lizenzpflichtig
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    Online Resource
    HU Berlin
    UB Potsdam
    Filmuniversität Babelsberg
  • 4
    Online Resource
    Online Resource
    Where Truth Lies : Digital Culture and Documentary Media after 9/11 (2019)
    Oakland : University of California Press | Berkeley, CA :University of California Press,
    Details
    UID:
    almahu_9948249602702882
    Format: 1 online resource (xvi, 227 pages) : , illustrations; PDF, digital file(s).
    ISBN: 0-520-30093-9
    Content: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Preface -- , 1. Seeing in the Dark -- , 2. "We See What We Want to Believe": Archival Logic and Database Aesthetics in the War Films of Errol Morris -- , 3. Networked Audiences: MoveOn.org and Brave New Films -- , 4. "States of Exception": The Paradox of Virtual Documentary Representation -- , 5. Technology, Transparency, and the Digital Presidency -- , 6. Post-Truth Politics: Conspiracy Media and the Specter of "Fake News" -- , Notes -- , Index , Also available in print form. , English.
    Additional Edition: ISBN 0-520-97211-2
    Language: English
    DOI: 10.1525/luminos.80
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    HU Berlin
    FU Berlin
    Charité
  • 5
    Online Resource
    Online Resource
    Where Truth Lies : Digital Culture and Documentary Media after 9/11 (2019)
    Oakland : University of California Press
    Details
    UID:
    gbv_1778507867
    Format: 1 Online-Ressource (248 p.)
    ISBN: 9780520300934
    Content: "This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms—social networking and crowdsourcing, video games and virtual environments, big data and data visualization—and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that ideological rifts inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that “truth” now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the “fake news” debates of 2016. “Looking at a unique and intriguing set of ‘hybrid media,’ Fallon convincingly makes a claim about a change in the form of new media, one linking politics, aesthetics, and technology.” ALEXANDRA JUHASZ, Brooklyn College, CUNY “Where Truth Lies does the difficult and much-needed work of unpacking how the documentary impulse is shifting in the digital age, both through the profound influence of digital aesthetics and computational thinking and through the ways traditional documentary is infusing digital expression.” JENNIFER MALKOWSKI, author of Dying in Full Detail: Mortality and Digital Documentary KRIS FALLON is Assistant Professor of Cinema and Digital Media at the University of California, Davis."
    Note: English
    Language: English
    URL: kostenfrei
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 6
    Online Resource
    Online Resource
    Where truth lies : digital culture and documentary media after 9/11 (2019)
    Oakland, California : University of California Press
    Details
    UID:
    gbv_1773365894
    Format: 1 Online-Ressource (1 online resource)
    ISBN: 9780520972117 , 0520972112
    Content: Seeing in the dark -- "We see what we want to believe" : archival logic and database aesthetics in the war films of Errol Morris -- Networked audiences : moveon.org and brave new films -- "States of exception" : the paradox of virtual documentary representation -- Technology, transparency and the digital presidency -- Post-truth politics : conspiracy media and the specter of "fake news".
    Content: "This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon brings together the emergence of several key media forms--social networking and crowdsourcing, video games and virtual environments, big data and data visualization--and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies toward social mobilization and political action, a role played for much of the last century by independent documentary film. By focusing on particular moments of political rupture where prior forms of representation and persuasion were discarded or discredited, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices, standards that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016. Positioning documentary film and digital media side by side in the political sphere, this work deeply engages with both contemporary and historical precedents"--Provided by publisher
    Note: Includes bibliographical references and index , English
    Additional Edition: ISBN 9780520300934
    Additional Edition: ISBN 9780520300934
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780520300934
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
  • 7
    Online Resource
    Online Resource
    Where truth lies : digital culture and documentary media after 9/11 (2019)
    Oakland, California :University of California Press,
    Details
    UID:
    kobvindex_HPB1108793216
    Format: 1 online resource
    ISBN: 9780520972117 , 0520972112 , 0520300939 , 9780520300934
    Content: "This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon brings together the emergence of several key media forms--social networking and crowdsourcing, video games and virtual environments, big data and data visualization--and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies toward social mobilization and political action, a role played for much of the last century by independent documentary film. By focusing on particular moments of political rupture where prior forms of representation and persuasion were discarded or discredited, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices, standards that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016. Positioning documentary film and digital media side by side in the political sphere, this work deeply engages with both contemporary and historical precedents"--Provided by publisher.
    Note: Seeing in the dark -- "We see what we want to believe" : archival logic and database aesthetics in the war films of Errol Morris -- Networked audiences : moveon.org and brave new films -- "States of exception" : the paradox of virtual documentary representation -- Technology, transparency and the digital presidency -- Post-truth politics : conspiracy media and the specter of "fake news". , English.
    Additional Edition: Print version: 9780520300934
    Language: English
    Keywords: Electronic books. ; Electronic books.
    DOI: 10.1525/luminos.80.
    URL: https://www.luminosoa.org/site/books/10.1525/luminos.80/
    URL: Luminos
    URL: https://doi.org/10.1525/9780520972117
    URL: Cover
    URL: http://pmt-eu.hosted.exlibrisgroup.com/openurl/44OPN_INST/44OPN_services_page?u.ignore_date_coverage=true&rft.mms_id=9952688248002316
    URL: https://whel-primo.hosted.exlibrisgroup.com/openurl/44WHELF_BANG/44WHELF_BANG_services_page?u.ignore_date_coverage=true&rft.mms_id=991004882442202422
    URL: JSTOR
    URL: http://library.oapen.org/handle/20.500.12657/23492
    URL: https://www.degruyter.com/openurl?genre=book&isbn=9780520972117
    URL: http://library.oapen.org/bitstream/20.500.12657/23492/1/where-truth-lies.pdf
    URL: https://library.oapen.org/handle/20.500.12657/23492
    URL: https://hdl.loc.gov/loc.gdc/gdcebookspublic.2019980041
    URL: Click here to view book
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    HPol Brandenburg
  • 8
    Online Resource
    Online Resource
    Where Truth Lies : Digital Culture and Documentary Media after 9/11 (2019)
    Oakland : University of California Press | Berkeley, CA :University of California Press,
    Details
    UID:
    edoccha_9959213109302883
    Format: 1 online resource (xvi, 227 pages) : , illustrations; PDF, digital file(s).
    ISBN: 0-520-30093-9
    Content: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Preface -- , 1. Seeing in the Dark -- , 2. "We See What We Want to Believe": Archival Logic and Database Aesthetics in the War Films of Errol Morris -- , 3. Networked Audiences: MoveOn.org and Brave New Films -- , 4. "States of Exception": The Paradox of Virtual Documentary Representation -- , 5. Technology, Transparency, and the Digital Presidency -- , 6. Post-Truth Politics: Conspiracy Media and the Specter of "Fake News" -- , Notes -- , Index , Also available in print form. , English.
    Additional Edition: ISBN 0-520-97211-2
    Language: English
    DOI: 10.1525/luminos.80
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    Charité
  • 9
    Online Resource
    Online Resource
    Where Truth Lies : Digital Culture and Documentary Media after 9/11 (2019)
    Oakland : University of California Press | Berkeley, CA :University of California Press,
    Details
    UID:
    edocfu_9959213109302883
    Format: 1 online resource (xvi, 227 pages) : , illustrations; PDF, digital file(s).
    ISBN: 0-520-30093-9
    Content: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Preface -- , 1. Seeing in the Dark -- , 2. "We See What We Want to Believe": Archival Logic and Database Aesthetics in the War Films of Errol Morris -- , 3. Networked Audiences: MoveOn.org and Brave New Films -- , 4. "States of Exception": The Paradox of Virtual Documentary Representation -- , 5. Technology, Transparency, and the Digital Presidency -- , 6. Post-Truth Politics: Conspiracy Media and the Specter of "Fake News" -- , Notes -- , Index , Also available in print form. , English.
    Additional Edition: ISBN 0-520-97211-2
    Language: English
    DOI: 10.1525/luminos.80
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    FU Berlin
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