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  • 1
    Book
    Book
    Frame by frame : a materialist aesthetics of animated cartoons (2019)
    Oakland, California : University of California Press
    Details
    UID:
    b3kat_BV045882968
    Format: li, 222 Seiten , Illustrationen
    ISBN: 9780520303621
    Note: Includes bibliographical references and index. - Frame by frame, the published version of Frank's dissertation, then titled 'Looking at cartoons' -(forword)- , Dissertation
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-97277-3 10.1525/luminos.65
    Additional Edition: 10.1525/9780520972773
    Language: English
    Keywords: Zeichentrickfilm ; Ästhetik ; Geschichte ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Frame by Frame : A Materialist Aesthetics of Animated Cartoons (2019)
    Oakland : University of California Press | Berkeley, CA :University of California Press,
    Details
    UID:
    almahu_9948190382802882
    Format: 1 online resource (li, 222 pages) : , illustrations; PDF, digital file(s).
    Edition: 1st ed.
    ISBN: 0-520-30362-8
    Content: At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920-1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , List of Illustrations -- , Foreword : Hannah Frank's Pause -- , Editor's Introduction -- , Acknowledgments -- , Introduction: Looking at Labor -- , 1. Animation and Montage; or, Photographic Records of Documents -- , 2. A View of the World: Toward a Photographic Theory of Cel Animation -- , 3. Pars Pro Toto: Character Animation and the Work of the Anonymous Artist -- , 4. The Multiplication of Traces: Xerographic Reproduction and One Hundred and One Dalmatians -- , Conclusion: The Labor of Looking -- , Notes -- , Bibliography -- , Index , Also available in print form. , In English.
    Additional Edition: Print version: ISBN 9780520303621
    Additional Edition: ISBN 0-520-97277-5
    Language: English
    DOI: 10.1525/luminos.65
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin
    FU Berlin
    Charité
  • 3
    Online Resource
    Online Resource
    Frame by Frame : A Materialist Aesthetics of Animated Cartoons. (2019)
    Berkeley :University of California Press,
    Details
    UID:
    almahu_9949319349702882
    Format: 1 online resource (274 pages)
    ISBN: 9780520972773
    Content: At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920-1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.
    Additional Edition: Print version: Frank, Hannah Frame by Frame Berkeley : University of California Press,c2019 ISBN 9780520303621
    Language: English
    Keywords: Electronic books. ; Hochschulschrift ; Electronic books.
    URL: Click to View
    URL: lizenzpflichtig
    URL: Click to View
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
    UB Potsdam
    Filmuniversität Babelsberg
  • 4
    Online Resource
    Online Resource
    Frame by frame : a materialist aesthetics of animated cartoons (2019)
    Oakland, California : University of California Press
    Details
    UID:
    gbv_1685888011
    Format: 1 Online-Ressource (li, 222 Seiten) , Illustrationen
    ISBN: 9780520972773
    Content: At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920-1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line
    Content: Frontmatter -- Contents -- List of Illustrations -- Foreword : Hannah Frank's Pause / Gunning, Tom -- Editor's Introduction / Morgan, Daniel -- Acknowledgments -- Introduction: Looking at Labor -- 1. Animation and Montage; or, Photographic Records of Documents -- 2. A View of the World: Toward a Photographic Theory of Cel Animation -- 3. Pars Pro Toto: Character Animation and the Work of the Anonymous Artist -- 4. The Multiplication of Traces: Xerographic Reproduction and One Hundred and One Dalmatians -- Conclusion: The Labor of Looking -- Notes -- Bibliography -- Index
    Note: Includes bibliographical references and index. - "Frame by frame, the published version of Frank's dissertation, then titled 'Looking at cartoons'" (s. Vorwort, Seite xii) , Open Access unrestricted online access star , Dissertation University of Chicago, llinois 2016 , Mode of access: Internet via World Wide Web.
    Additional Edition: ISBN 9780520303621
    Additional Edition: Erscheint auch als Druck-Ausgabe Frank, Hannah, 1984 - 2017 Frame by frame Oakland, California : University of California Press, 2019 ISBN 9780520303621
    Language: English
    Subjects: General works
    RVK:
    AP 48600
    Keywords: Animationsfilm ; Hochschulschrift
    DOI: 10.1525/9780520972773
    URL: Open Access
    URL: Open Access
    URL: kostenfrei
    URL: Cover
    URL: Cover
    URL: Cover
    URL: https://purl.org/coar/access_right/c_abf2
    Author information: Gunning, Tom 1949-
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    Stabi Berlin
    UB Potsdam
  • 5
    Online Resource
    Online Resource
    Frame by Frame : A Materialist Aesthetics of Animated Cartoons (2019)
    Oakland : University of California Press
    Details
    UID:
    gbv_1778510337
    Format: 1 Online-Ressource (278 p.)
    ISBN: 9780520303621
    Content: For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians, most of them anonymous. In order to understand how the industrial mode of production influenced the medium’s visual style, this book regards each frame of a given animated cartoon as a historical document in its own right. This new consideration of the materiality of the medium analyzes cartoons frame by frame to expose hitherto unseen qualities of the image. The book covers the different technologies of reproduction involved in this process, from photography to xerography, as well as the idiosyncrasies of the image—from abstract imagery to mistakes in reproduction—that can be seen only when the film is halted. What emerges is both a new methodology for thinking about animation, the idea of frame-by-frame analysis, and a highly original account of an art formed on the assembly line
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 6
    Book
    Book
    Frame by frame : a materialist aesthetics of animated cartoons (2019)
    Oakland, California :University of California Press,
    Details
    UID:
    almafu_BV045882968
    Format: li, 222 Seiten : , Illustrationen.
    ISBN: 978-0-520-30362-1
    Note: Includes bibliographical references and index. - Frame by frame, the published version of Frank's dissertation, then titled 'Looking at cartoons' -(forword)- , Dissertation
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-97277-3 10.1525/luminos.65
    Additional Edition: 10.1525/9780520972773
    Language: English
    Subjects: General works
    RVK:
    AP 48600
    Keywords: Zeichentrickfilm ; Ästhetik ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    Fulltext
    Fulltext
    Fulltext
    FU Berlin get availability status
    Kinemathek get availability status
  • 7
    Online Resource
    Online Resource
    Frame by frame : a materialist aesthetics of animated cartoons (2019)
    Oakland, California :University of California Press,
    Details
    UID:
    kobvindex_HPB1057244516
    Format: 1 online resource
    ISBN: 9780520972773 , 0520972775 , 0520303628 , 9780520303621
    Content: "This book examines the visual aesthetics of popular American animated cartoons. For most of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called 'cels') and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to understand the art, labor, and technology of cel animation, this book analyzes cartoons frame by frame to expose hitherto unseen qualities of the image. What emerges is both a method and an original account of an art formed on the assembly line"--Provided by publisher.
    Note: Editor's introduction / by Daniel Morgan -- Introduction: looking at labor -- Animation and montage, or, Photographic records of documents -- A view of the world : toward a photographic theory of cel animation -- Pars pro toto : character animation and the work of the anonymous artist -- The multiplication of traces : xerographic reproduction and One hundred and one Dalmatians -- Conclusion: the labor of looking. , Frontmatter -- , Contents -- , List of Illustrations -- , Foreword : Hannah Frank's Pause / , Editor's Introduction / , Acknowledgments -- , Introduction: Looking at Labor -- , 1. Animation and Montage; or, Photographic Records of Documents -- , 2. A View of the World: Toward a Photographic Theory of Cel Animation -- , 3. Pars Pro Toto: Character Animation and the Work of the Anonymous Artist -- , 4. The Multiplication of Traces: Xerographic Reproduction and One Hundred and One Dalmatians -- , Conclusion: The Labor of Looking -- , Notes -- , Bibliography -- , Index , English.
    Additional Edition: Print version: Frank, Hannah, 1984-2017. Frame by frame. Oakland, California : University of California Press, [2019] 9780520303621
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
    DOI: 10.1525/luminos.65
    URL: https://www.luminosoa.org/site/books/10.1525/luminos.65/
    URL: JSTOR
    URL: Luminos
    URL: Open Access
    URL: Cover
    URL: OAPEN
    URL: Click here to view book
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    HPol Brandenburg
  • 8
    Online Resource
    Online Resource
    Frame by frame : a materialist aesthetics of animated cartoons (2019)
    Oakland, California : University of California Press
    Details
    UID:
    gbv_1691190748
    Format: 1 Online-Ressource
    ISBN: 9780520972773
    Content: "This book examines the visual aesthetics of popular American animated cartoons. For most of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called 'cels') and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to understand the art, labor, and technology of cel animation, this book analyzes cartoons frame by frame to expose hitherto unseen qualities of the image. What emerges is both a method and an original account of an art formed on the assembly line"--Provided by publisher
    Note: Editor's introduction / by Daniel Morgan -- Introduction: looking at labor -- Animation and montage, or, Photographic records of documents -- A view of the world : toward a photographic theory of cel animation -- Pars pro toto : character animation and the work of the anonymous artist -- The multiplication of traces : xerographic reproduction and One hundred and one Dalmatians -- Conclusion: the labor of looking , Includes bibliographical references and index
    Additional Edition: ISBN 9780520303621
    Additional Edition: Erscheint auch als Druck-Ausgabe Frank, Hannah, 1984-2017 Frame by frame Oakland, California : University of California Press, [2019]
    Language: English
    URL: kostenfrei
    Author information: Gunning, Tom 1949-
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
  • 9
    Online Resource
    Online Resource
    Frame by frame : a materialist aesthetics of animated cartoons (2019)
    Oakland, CA, USA:University of California Press,
    Details
    UID:
    kobvindex_INT0004820
    Format: 1 electronic resource (li, 222 pages) : , illustrations.
    ISBN: 9780520303621 , 0520303628 , 9780520972773 , 0520972775
    Content: MACHINE-GENERATED SUMMARY NOTE: "In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920-1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called 'cels') and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line."
    Note: MACHINE-GENERATED CONTENTS NOTE: Foreword: Hannah Frank's pause / Tom Gunning -- Editor's introduction / Daniel Morgan -- Introduction: Looking at labor -- Animation and montage; or, Photographic records of documents -- A view of the world: toward a photographic theory of cel animation -- Pars pro toto: character animation and the work of the anonymous artist -- The multiplication of traces: xerographic reproduction and One hundred and one dalmatians -- Conclusion: The labor of looking.
    Language: English
    URL: FULL
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Berlin International
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