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  • 1
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    UID:
    b3kat_BV047254129
    Umfang: 1 Online-Ressource (xv, 248 Seiten)
    ISBN: 9780520976399
    Anmerkung: Erscheint als Open Access bei De Gruyter
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, paperback ISBN 978-0-520-37706-6
    Sprache: Englisch
    Schlagwort(e): Indien ; Filmmusik ; Gesang ; Play-back-Verfahren
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Berkeley :University of California Press,
    UID:
    almahu_9949301418402882
    Umfang: 1 online resource (262 pages)
    ISBN: 9780520976399
    Serie: South Asia Across the Disciplines Ser.
    Inhalt: To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right.  Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema.  In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.
    Weitere Ausg.: Print version: Weidman, Amanda Brought to Life by the Voice Berkeley : University of California Press,c2021 ISBN 9780520377066
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Oakland : University of California Press
    UID:
    gbv_1778411436
    Umfang: 1 Online-Ressource (272 p.)
    ISBN: 9780520976399 , 9780520377066
    Inhalt: To produce the song sequences that are central to Indian popular cinema, singers’ voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman’s historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. “This book is a major contribution to South Asian Studies, sound and music studies, anthropology, and film and media studies, offering original research and new theoretical insights to each of these disciplines. There is no other scholarly work that approaches voice and technology in a way that is both as theoretically wide-ranging and as locally specific.” NEEPA MAJUMDAR, author of Wanted Cultured Ladies Only! Female Stardom and Cinema in India, 1930s–1950s “Brought to Life by the Voice provides a detailed and highly convincing exploration of the varying links between the singing voice and the body in the Tamil film industry since the mid-twentieth century. The historical and ethnographic analysis the book presents is meticulous and excellent.” PATRICK EISENLOHR, author of Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    UID:
    gbv_1764246284
    Umfang: 1 Online-Ressource
    ISBN: 9780520976399
    Serie: South Asia across the disciplines
    Weitere Ausg.: ISBN 9780520377066
    Sprache: Englisch
    Schlagwort(e): Tamil ; Filmmusik ; Play-back-Verfahren ; Geschichte 1940- ; Indien ; Tamil Nadu ; Filmmusik ; Sängerin ; Play-back-Verfahren
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    UID:
    gbv_1820695468
    Umfang: 1 Online-Ressource
    ISBN: 9780520976399 , 0520976398
    Inhalt: "To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India"--
    Anmerkung: Includes bibliographical references and index , Introduction : theorizing playback -- Trading voices : the gendered beginnings of playback -- 'A leader for all song' : making a dravidian voice -- Ambiguities of animation : on being 'just the voice' -- The sacred and the profane : economies of the (il)licit -- The raw and the husky : on timbral qualia and ethnolinguistic belonging -- Anxieties of embodiment : liveness and deadness in the new dispensation -- Anti-playback.
    Weitere Ausg.: ISBN 9780520377066
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Weidman, Amanda J., 1970- Brought to life by the voice Oakland, California : University of California Press, [2021] ISBN 9780520377066
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Oakland, California :University of California Press,
    UID:
    kobvindex_HPB1204266599
    Umfang: 1 online resource
    ISBN: 9780520976399 , 0520976398
    Inhalt: "To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India"--
    Anmerkung: Introduction : theorizing playback -- Trading voices : the gendered beginnings of playback -- 'A leader for all song' : making a dravidian voice -- Ambiguities of animation : on being 'just the voice' -- The sacred and the profane : economies of the (il)licit -- The raw and the husky : on timbral qualia and ethnolinguistic belonging -- Anxieties of embodiment : liveness and deadness in the new dispensation -- Anti-playback.
    Weitere Ausg.: Print version: Weidman, Amanda J., 1970- Brought to life by the voice. Oakland, California : University of California Press, [2021] 9780520377066
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Criticism, interpretation, etc.
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    Oakland, California :University of California Press,
    UID:
    edocfu_9959950549902883
    Umfang: 1 online resource (xv, 243 pages) : , illustrations
    Inhalt: "To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India"-- Provided by publisher.
    Anmerkung: Introduction : theorizing playback -- Trading voices : the gendered beginnings of playback -- 'A leader for all song' : making a dravidian voice -- Ambiguities of animation : on being 'just the voice' -- The sacred and the profane : economies of the (il)licit -- The raw and the husky : on timbral qualia and ethnolinguistic belonging -- Anxieties of embodiment : liveness and deadness in the new dispensation -- Anti-playback.
    Weitere Ausg.: ISBN 0-520-37706-0
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    Oakland, California :University of California Press,
    UID:
    edoccha_9959950549902883
    Umfang: 1 online resource (xv, 243 pages) : , illustrations
    Inhalt: "To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India"-- Provided by publisher.
    Anmerkung: Introduction : theorizing playback -- Trading voices : the gendered beginnings of playback -- 'A leader for all song' : making a dravidian voice -- Ambiguities of animation : on being 'just the voice' -- The sacred and the profane : economies of the (il)licit -- The raw and the husky : on timbral qualia and ethnolinguistic belonging -- Anxieties of embodiment : liveness and deadness in the new dispensation -- Anti-playback.
    Weitere Ausg.: ISBN 0-520-37706-0
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    Online-Ressource
    Online-Ressource
    Oakland, California :University of California Press,
    UID:
    almahu_9949281210702882
    Umfang: 1 online resource (xv, 243 pages) : , illustrations
    Inhalt: "To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India"-- Provided by publisher.
    Anmerkung: Introduction : theorizing playback -- Trading voices : the gendered beginnings of playback -- 'A leader for all song' : making a dravidian voice -- Ambiguities of animation : on being 'just the voice' -- The sacred and the profane : economies of the (il)licit -- The raw and the husky : on timbral qualia and ethnolinguistic belonging -- Anxieties of embodiment : liveness and deadness in the new dispensation -- Anti-playback.
    Weitere Ausg.: ISBN 0-520-37706-0
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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