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  • 1
    Online-Ressource
    Online-Ressource
    Berkeley, CA :University of California Press,
    UID:
    almahu_9949546436502882
    Umfang: 1 online resource (270 p.)
    ISBN: 9780520976788 , 9783110993899
    Serie: Cinema Cultures in Contact ; 3
    Inhalt: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War-era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases-flops, remakes, low-budget comedies, and prestige productions-this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.
    Anmerkung: Frontmatter -- , Contents -- , "Akira Kurosawa" A Retrospective Prologue -- , Introduction "Romance, Comedy, and Somewhat Jazzy Music" -- , Part One. Establishing Shots: World Cinema in Tongues -- , 1. Problems of Translation: World Cinema as Distribution History -- , 2. Moving toward the "City of Love": Hindustani Lyrical Genealogies -- , Part Two. Star-Crossed Overtures: Cinephilia in Excess -- , 3. Homosocialist Coproductions: Pardesi (1957) contra Singapore (1960) -- , 4. Comedic Crossovers and Madras Money-Spinners: Padosan's (1968) Audiovisual Apparatus -- , 5. Foreign Exchanges: Transregional Trafficking through Subah-O-Sham (1972) -- , Acknowledgments -- , Notes -- , Bibliography -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899
    In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English, De Gruyter, 9783110993752
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2022, De Gruyter, 9783110993738
    In: University of California Press Complete eBook-Package 2022, De Gruyter, 9783110766493
    Weitere Ausg.: ISBN 9780520379534
    Sprache: Englisch
    Schlagwort(e): Criticism, interpretation, etc. ; History ; Electronic books.
    URL: Cover
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Oakland, California : University of California Press
    UID:
    b3kat_BV048287295
    Umfang: 1 Online-Ressource
    ISBN: 9780520976788
    Serie: Cinema cultures in contact 3
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-520-37953-4
    Sprache: Englisch
    Schlagwort(e): Mumbai ; Film ; Electronic books. ; Criticism, interpretation, etc. ; History
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Berkeley, CA : University of California Press
    UID:
    gbv_1813288267
    Umfang: 1 Online-Ressource (270 p.)
    ISBN: 9780520976788
    Serie: Cinema Cultures in Contact 3
    Inhalt: A free open access ebook is available upon publication. Learn more at www.luminosoa.org. By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay
    Anmerkung: Frontmatter , Contents , “Akira Kurosawa” A Retrospective Prologue , Introduction “Romance, Comedy, and Somewhat Jazzy Music” , Part One. Establishing Shots: World Cinema in Tongues , 1. Problems of Translation: World Cinema as Distribution History , 2. Moving toward the “City of Love”: Hindustani Lyrical Genealogies , Part Two. Star-Crossed Overtures: Cinephilia in Excess , 3. Homosocialist Coproductions: Pardesi (1957) contra Singapore (1960) , 4. Comedic Crossovers and Madras Money-Spinners: Padosan’s (1968) Audiovisual Apparatus , 5. Foreign Exchanges: Transregional Trafficking through Subah-O-Sham (1972) , Acknowledgments , Notes , Bibliography , Index , In English
    Weitere Ausg.: ISBN 9780520379534
    Weitere Ausg.: Erscheint auch als print ISBN 9780520379534
    Sprache: Englisch
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : University of California Press
    UID:
    gbv_1832317749
    Umfang: 1 Online-Ressource (272 p.)
    ISBN: 9780520379534
    Serie: Cinema cultures in contact 3
    Inhalt: By the 1960s, Hindi-language films from Bombay were in high demand, not only for domestic and diasporic audiences, but for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Confounding critics who saw the films as noisy and nonsensical, Bombay films attracted worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of 1960s Hindi cinema, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases-flops, remakes, low-budget comedies, and prestige productions-this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay. "Samhita Sunya's rich and provocative book offers a needed corrective to contemporary debates on transnational cinema, translation and co-production, and cinephilia by approaching them from a new geographic and historical vantage point. A terrific contribution to a growing body of film studies scholarship that is redefining the field as we know it." Masha Salazkina, author of In Excess: Sergei Eisenstein's Mexico "This elegantly written book remaps the atlas of world cinema. Its refreshingly non-Eurocentric perspective, innovative methods for tracing the intersection of material and affective histories of circulation, and transregional scope make it a valuable addition to film studies, South Asian studies, and inquiries into the global 1960s." Manishita Dass, author of Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India
    Anmerkung: English
    Weitere Ausg.: ISBN 9780520379534
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Sunya, Samhita, 1985- Sirens of modernity Oakland, California : University of California Press, [2022] ISBN 9780520379534
    Sprache: Unbestimmte Sprache
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Buch
    Buch
    Oakland, California : University of California Press
    UID:
    gbv_1794322191
    Umfang: 259 Seiten , Illustrationen
    ISBN: 9780520379534
    Serie: Cinema cultures in contact 3
    Inhalt: Opening Credits "Akira Kurosawa" : a retrospective prologue -- Introduction : "Romance, comedy, and somewhat jazzy music" -- Problems of translation : world cinema as distribution history -- moving toward the "City of love": Hindustani lyrical genealogies -- Homosocialist co-productions : Pardesi (1957) contra Singapore (1960) -- Comedic crossovers and Madras money-spinners : Padosan's (1968) audiovisual apparatus -- Foreign Exchanges : transregional trafficking through Subah-O-Sham (1972) -- Special features.
    Inhalt: "By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizeable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War-era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases-flops, remakes, low-budget comedies, and prestige productions-this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making, via Bombay"--
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9780520976788
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Sunya, Samhita, 1985- Sirens of modernity Oakland, California : University of California Press, [2022]
    Sprache: Englisch
    Schlagwort(e): Bollywood ; Filmmusik ; Geschichte 1930-2003
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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